Writing about time by David Cannadine, Perry Anderson, Angela Carter, Stanley Cavell, Barbara Everett, Edward Said, John Banville, Rebecca Solnit, David Wootton, Jenny Diski, Malcolm Bull, Andrew O’Hagan...
Robert Frost’s poetry has a way of lifting its gaze – with a heightening of register, a grand image, a weighty allusion – and seeming to dare you to shake your head in disbelief. ‘You think this is incongruous?’ it says. ‘You think this didn’t happen?’
César Vallejo is Yeats’s poet with the sword upstairs. Everything about him seems to burn with intensity. He burned through zarzuela Spanish, making it into a language of monosyllables, blurts, inventions . . .
Late in Claire-Louise Bennett’s novel Big Kiss, Bye-Bye, the unnamed protagonist goes to Montevideo to participate in a ‘panel discussion about violent scenes from movies’. She had hesitated to . . .
Driving from Durrus to Ballydehobto see for myself the family farmhousethey burned my grandmother out ofa hundred years ago the hedgerowon my right gives way to intermittentflashes of the lovely spangle . . .
Is sin an inescapable condition? Ruth, the narrator of Kate Riley’s first novel, has given this question much thought. When she asks forgiveness, she does so in the knowledge that she will ‘sin . . .
I should state up front that I am not a fan of programme fiction. Basically, I feel about it as towards new fiction from a developing nation with no literary tradition: I recognise that it has anthropological interest, and is compelling to those whose experience it describes, but I probably wouldn’t read it for fun.
Stefan Zweig just tastes fake. He’s the Pepsi of Austrian writing.
Way back in the pre-theoretical Fifties, a journalist called Ivor Brown used to have elementary fun at the expense of a serial intruder on our insular peace of mind, a bacillus known as the LFF,...
One day early in the 1590s a clown came onto a London stage, holding a piece of string. At the end of the piece of string was a dog. The dog, possibly the first on the Elizabethan stage, I want to...
The only sensible attitude to the Booker is to treat it as posh bingo. It is El Gordo, the Fat One, the sudden jackpot that enriches some plodding Andalusian muleteer.
Hard-bitten, aggressively up-to-date in the way it took cognisance of the fallen contemporary landscape, yet susceptible also to the pristine scenery of an imaginary Anglo-Saxon England, Auden’s original voice could not have been predicted and was utterly timely.
So the working fairy does at least half a mile a second, probably two-thirds, and the cruising royalties can in effect go as fast as her, if they need to. Puck claims to go at five miles a second, perhaps seven times what the working fairy does. This seems a working social arrangement.
Writing about time by David Cannadine, Perry Anderson, Angela Carter, Stanley Cavell, Barbara Everett, Edward Said, John Banville, Rebecca Solnit, David Wootton, Jenny Diski, Malcolm Bull, Andrew O’Hagan...
Writing about children’s literature by Joan Aiken, Bee Wilson, Marina Warner, Wendy Doniger, Rosemary Hill, Jenny Turner, Marghanita Laski, Andrew O’Hagan, Jenny Diski and Gillian Avery.
Mark and Seamus look at the life and work of Elizabeth Bishop, the east-coast American poet who enjoyed a limited audience, and published relatively little, in her lifetime, but whose reputation has grown...
In their first episode together, recorded in 2017, Mark Ford and Seamus Perry looked at the life and work of Philip Larkin, a poet much written about in the archive of the London Review of Books.
Mark and Seamus discuss the life and work of Thomas Hardy, with its blend of bitterness of tenderness, its intense dramatisations of loss and grief, and its inversion of traditional tropes of love poetry...
Mark and Seamus discuss life and work of W. H. Auden, from the influence of his parents and his political development, to how his poetry emerged from a meeting of English tradition with high modernism,...
Mark and Seamus discuss the life and work of Stevie Smith, ‘an eccentric poet with a tenacious reputation,’ and a famous performer of her poetry, considering the despair that underlines her best work,...
Mark and Seamus discuss the life and work of Worcestershire lad A.E. Housman, whose imaginative poetic landscape of a vanishing England in A Shropshire Lad, with its expression of the agony of thwarted...
Mark and Seamus look to that great poet of winter and snow, Wallace Stevens, considering his anecdote-proof life, the capitalist economy of his imagination, and his all-American poetry of precise abstraction.
Seamus Perry and Mark Ford discuss the work of Seamus Heaney
In the final episode of their series, Mark and Seamus confront Robert Lowell: the Boston Brahmin for whom poetry trumped every other consideration, and whose Cold War ‘confessionalism’ came to exemplify...
Mark Ford, Seamus Perry and Joanna Biggs consider the balance of biography and mythology in Plath’s work, situating her as a transatlantic, expressionist poet of the Cold War.
I took off my glasses& pocketed them.I took out my eyes& tossed them upfor the crows to catch& turn tonotes. I feltthe wind. The one crowlanding on the rankingbranch. Staringat me....
Slavery was accepted across most of the early modern world. No one wanted to be a slave, except when the alternative was being executed after a battle, or made a human sacrifice, but the institution was...
I’m glad he’s gone my father said.But that was the beginningOf my obsession with garnets.He did cure my husband in the end,Just as I had jokingly wishedHoped requested. Begged,Prayed...
When Michael Clune’s character in Pan alights on Proust in the course of his daily writing practice, he learns a mode of ‘redescription’ for the narrative of his life. Clune is also describing his...
He was holding up his shoe, inspecting the sole of it, and barely balancing on one leg, when I first saw him. I had asked him about the shoes – and he said any sort would do – that it...
For Jorie Graham, the teeming possibilities of lyric – tense and mood, syntax and sound crossed with layout and measure – harbour a fullness of time which is neither mere chronology nor novelistic...
A version in Scots of a Sumerian hymn to the goddess of love and war, attributed to the priestess Enheduanna of Ur (fl. 2255 BCE), the world’s earliest identifiable author. As well as...
Virginia Woolf admired Jane Austen above all for her ability to grasp the exceptional moment – ‘in which all the happiness of life is collected’ – as it arises out of and then subsides back into...
Comedy can mean either the active incitement of laughter or a set of literary conventions. If a fair proportion of Kiran Desai’s Loneliness of Sonia and Sunny is comedy in the first sense, all of it...
Gustave Flaubert’s first three novels, Madame Bovary, Salammbô and L’Éducation sentimentale, were all published by Michel Lévy. The relationship, as established by Flaubert, was quite straightforward:...
morning mist and cloudfaint on the mountaina god is moving his faceover the waters a godin the cleft in the pass up theghyll the scramblers maketheir way also up –yesterday ...
It can’t have been hard for Susan Choi to hit on the title of her novel, which has been shortlisted for the Booker Prize. Flashlights show the way; they expose dark corners; in the right hands they’re...
Autumn cyclamen,booby-trapping underfootlike a mistimed spring,clutch of shame’s blushes,flock of flamingos balancedon slender stemwareor mad flight of hats,magenta origami,by...
Ben Pester’s Expansion Project is not a cheerful book, but it is a funny one. The corporate attempt to suppress and compartmentalise human feeling is repeatedly shown to be laughable. But pain is non-compliant;...
I don’t think there’s anyone on today’s bestseller lists as accomplished on the page as Elmore Leonard was; he had the extraordinary ability to evoke a place with the sparsest of descriptions and...
Richard Ellmann saw himself as emulating Joyce: the main job of the biographer was less a matter of ‘observing’ than of ‘ferreting’, which was also the word he used to describe ‘Joyce’s habit...
Truth becomes fiction when the fiction’s true;Real becomes not-real when the unreal’s real. Dream of the...
Dream Count is a product of Adichie’s more ambivalent African feminism. The novel is written entirely from the perspective of women, but their primary interest appears to be their relationships with...
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