Literature & Criticism

It’s brave of C. Pam Zhang to come at her themes from an angle – if the setting isn’t actual 19th-century America, then there’s a risk that her revisionism might lose its relevance...

Patricia Lockwood is a generous writer. She seems incapable of resentment and has a Rabelaisian appreciation for the bawdy. She can describe America’s corporate restaurant chains and their blooming...

The social identities behind the vintage references in Artem Chekh and Zakhar Prilepin’s works are the fundamental oppositions of the 21st century: on one side the liberals, the bourgeois, the cosmopolitans,...

Writing is not now considered a collective exercise. The Romantic myth of the lone genius persists. He is no longer always a white man – only most of the time. The black and white author photo is...

Kafka wrote that, were it not for the final act, Michael Kohlhaas would be ‘a thing of perfection’, which is a diplomatic way of saying that Kleist absolutely butchers it. In fact, one of the...

You might start reading her for the food and the celebrity gossip, but you reread for the thrilling materiality, ‘concrete and fastidious’, as she herself once suggested, of her prose:...

French is fancy and fashionable, but we aren’t going to fall for that. We have solid, stocky Saxon words to hand, verbal guarantees of a closeness to reality. Who needs ennui when we have old-fashioned...

Rainald Goetz isn’t much interested in telling tales of hedonistic excess. He’s not above name­dropping, showing off about the DJs he was friends with and the cool clubs he went to, but...

Finishing Oblivion Banjo, I was left in a Wright-like quandary: ‘I seem to have come to the end of something, but don’t know what.’ The book offers itself as ‘the perfect distillation’...

‘He took stories apart and put them back together like toys,’ Gianni Rodari’s wife remembered in a rare interview. Often it seems the reassembly is an attempt to construct the kind of...

It may be inherently impossible to write a novel that openly poses such questions as whether robots can be said to have souls, or to be conscious, or capable of feeling love, or of inspiring and reciprocating...

Lawrence Osborne’s novels include all the props associated with thrillers: guns, heists, bribes, spiked drinks, assumed identities, ghostly visitations and suitcases stuffed with banknotes. But the...

Gimmickry is the séance during which some commodities, at least, have begun to dance as if of their own free will. Marx’s term for ‘of its own free will’ is ‘aus freien Stücken’...

Words, too, can mean opposite things. This is a minority interest among those who want language to communicate plainly, but it’s of consummate interest to poets. In the procedural poems, you see...

A remarkable number of scenes take place in the lavatory or on the way to it. We get milk stinking of mice, clothes reeking of paraffin and horse’s sweat, the musty odour of armpits and the ‘heavy...

It’s a familiar paradox: in order to save herself, the writer needs to get away from her family; and yet when she sits down to write, the lost world of family is her best material – all those...

Patricia High­smith was able to dramatise the loss of con­trol so shockingly because she knew how it felt. Though not herself a homicidal maniac (as far as one knows), she could imagine what it...

One​ of the inhabitants of Middle England, the title and the setting of Jonathan Coe’s last novel, part of a location that is also called ‘merrie’, ‘deep’ and...