Literature & Criticism

‘Black Bag’

Blake Morrison

8 October 2026

Luke Kennard’s Black Bag spans several genres while not belonging to any of them. It’s not quite a campus novel but has things to say about what it’s like to teach at a university. It’s not quite a satire on the theatre world but says more about acting than Rachel Cusk does in her latest novel, Life of M. It’s not a surreal parable but the central bag image is as haunting as Kafka’s Metamorphosis. 

Read more about Sudden Breadknife Frenzy: ‘Black Bag’

Pope amuses himself

Freya Johnston

8 October 2026

‘N o period has writers who play more difficult games with fact and factuality than the Augustan,’ Barbara Everett wrote in 1985. ‘This helps to make Pope the most interesting and problematic . . .

‘Venetian vedute (acqua alta e inverno)’

Robin Robertson

8 October 2026

In storm, the rain drives hard into the choppy canals –churning them white against this glittering grey.The lagoon, no longer black and flat, seems part of the rainand splashes back all day, until . . .

Mimeo-Revolutionaries

Gill Partington

8 October 2026

Notes on contributors from ‘Fuck You’, Vol. 5, No. 5 (December 1963). I n August​ 1975, residents of Columbus, Ohio found something strange stuffed under their car windscreen wipers . . .

‘Four Ways of Looking at a Hoopoe’

A.E. Stallings

24 September 2026

Hoopoe is the thingWith feathers, and a crest,Or else a thing with feathers,Striped wings, and tawny breast.*(I never saw a hoopoe –Unless I was alone –Except some interloperTook out their . . .

Get a Real Degree

Elif Batuman, 23 September 2010

I should state up front that I am not a fan of programme fiction. Basically, I feel about it as towards new fiction from a developing nation with no literary tradition: I recognise that it has anthropological interest, and is compelling to those whose experience it describes, but I probably wouldn’t read it for fun.

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Vermicular Dither

Michael Hofmann, 28 January 2010

Stefan Zweig just tastes fake. He’s the Pepsi of Austrian writing.

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Le pauvre Sokal: the Social Text Hoax

John Sturrock, 16 July 1998

Way back in the pre-theoretical Fifties, a journalist called Ivor Brown used to have elementary fun at the expense of a serial intruder on our insular peace of mind, a bacillus known as the LFF,...

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The Fatness of Falstaff

Barbara Everett, 16 August 1990

One day early in the 1590s a clown came onto a London stage, holding a piece of string. At the end of the piece of string was a dog. The dog, possibly the first on the Elizabethan stage, I want to...

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Diary: On the Booker

Julian Barnes, 12 November 1987

The only sensible attitude to the Booker is to treat it as posh bingo. It is El Gordo, the Fat One, the sudden jackpot that enriches some plodding Andalusian muleteer.

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Sounding Auden

Seamus Heaney, 4 June 1987

Hard-bitten, aggressively up-to-date in the way it took cognisance of the fallen contemporary landscape, yet susceptible also to the pristine scenery of an imaginary Anglo-Saxon England, Auden’s original voice could not have been predicted and was utterly timely.

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Fairy Flight in ‘A Midsummer Night’s Dream’

William Empson, 25 October 1979

So the working fairy does at least half a mile a second, probably two-thirds, and the cruising royalties can in effect go as fast as her, if they need to. Puck claims to go at five miles a second, perhaps seven times what the working fairy does. This seems a working social arrangement.

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Like Buying a Bag of Mints: On Marlon James

Adam Mars-Jones, 24 September 2026

We are left, a third of the way through The Disappearers, with a feeling of absolute outrage, when outrage is no more than anger in the key of helplessness. Outrage leads nowhere; violence freezes time...

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Good Weird or Bad Weird: Uses of Criticism

Colin Burrow, 10 September 2026

Literary criticism is a supremely occasional skill, where you have to be bold enough to operate where there aren’t any clear rules and make up your own, and decide for yourself what you think, and...

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In Francis Spufford’s Nonesuch it isn’t only the author but his characters who can change history. Iris and Geoff learn of a portal that was discovered by a 17th-century alchemist, Hieronymus...

Read more about Egg in an Eggcup: Francis Spufford’s ‘Nonesuch’

Poem: ‘Fire’

Maureen N. McLane, 13 August 2026

door in the cloudsor was it a holesmall bird on the scotch pine’s branchnorth wind, thundera raspberry summerthe thrushes are backthe flooded cityawash in insurerswho’s getting...

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Poem: ‘The World’

Patricia Lockwood, 13 August 2026

A thread of light travelled through the beadWith the map of the world on it.No one’s keeping the plot I said.The marriage plot, man versusWilderness plot – there are more,But I forget....

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In February​ 1840, Alfred Tennyson was in a bad way, argumentative and restless. Thomas Carlyle, whose own public career was taking off, doubted how far Tennyson would rise: ‘He is often unwell;...

Read more about Types and Typology: Tennyson’s Scientific Imagination

Quite naturally, as with any truly original writer, one had to learn how to read Firbank. A certain clue-seeking and backtracking habit was necessary, and part of the fun. The truth dawns on you, and...

Read more about It’s queer how I’m lonely: Ronald Firbank’s Century

Poem: ‘Smile’

Anne Carson, 23 July 2026

so how’s it going with the Parkinson’s? you say and I startto say every moment bleeding to death around me but thetherapist cautioned me yesterday don’t say dread call...

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On Susan Stewart

Ange Mlinko, 23 July 2026

For Stewart, this is what poetic process is: the closely observed emergence of empirical knowledge out of chaos, confusion, darkness. But she is not only a theorist; she has always alternated books of...

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Joyce stands out​ among the great modernist writers for his belief in tolerance, equality, democracy, progress and the preciousness of the everyday. If he is outrageously experimental, he is also...

Read more about Starveling Rabblement: Joyce’s Politics

‘What’s the point of an alien artefact you can recognise?’ Harrison asked in Wish I Was Here. ‘As a branch of the fantastic, science fiction should accept that its currency is...

Read more about Uncanny Little Blighter: M. John Harrison’s​ ‘The End of Everything’

Gibbon’s new and self-created version of the modernist sentence mixes Scots and English to resemble ‘a meandering, live thought-process’, as Ali Smith puts it: ‘poetic and realist...

Read more about Hated and Loved in a Breath: On Lewis Grassic Gibbon

Poem: ‘Auguries’

A.E. Stallings, 9 July 2026

The wilted season: peacocks drop their tails,The vines drop leavesAnd wear a bunch of raisins on their sleeves.The scoured sky pales.Cicadas grate and grate the airLike pencil sharpeners....

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Strout’s characters live in sociable communities, mostly small coastal towns, where everyone knows everyone else’s business. They gossip, reminisce, pontificate, form unlikely friendships,...

Read more about Swimmy Head: Elizabeth Strout’s ‘The Things We Never Say’

Platinum Noses: Jules Verne’s Fantasy

Raymond N. MacKenzie, 9 July 2026

Few writers could match Verne in sales or in spin-offs, including the hugely successful theatre productions. Popular success did not, however, translate to literary prestige. Verne was largely ignored...

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Luxury Muzhik: Gorky v. Tolstoy

Adam Thirlwell, 25 June 2026

Gorky was the designated mourner for a vanished moment in Russian culture. He wanted socialism or democracy but he no longer wanted Bolshevism, which seemed to him psychopathically preoccupied with power....

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Bainbridge chose to be seen as a woman who lived on her own terms, but that wasn’t always the way she felt, and she came to resent the persona she had created for herself. She was an actor before...

Read more about A Fit of Trembling: Beryl Bainbridge makes her point

John Berryman often arrived at lectures and seminars by taxi from whichever rehab clinic was treating him, and afterwards returned there exhausted, his shirt drenched in sweat after delivering his interpretation...

Read more about One-Off Comet: Berryman’s Bestiary

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