Literature & Criticism

Photograph of Robert Frost.

Robert Frost’s Ugly Feelings

Clare Bucknell

4 December 2025

Robert Frost’s poetry has a way of lifting its gaze – with a heightening of register, a grand image, a weighty allusion – and seeming to dare you to shake your head in disbelief. ‘You think this is incongruous?’ it says. ‘You think this didn’t happen?’

Read more about Discord and Fuss: Robert Frost’s Ugly Feelings

Vallejo in English

Michael Hofmann

4 December 2025

Cé​sar Vallejo is Yeats’s poet with the sword upstairs. Everything about him seems to burn with intensity. He burned through zarzuela Spanish, making it into a language of monosyllables, blurts, inventions . . .

‘Big Kiss, Bye-Bye’

Maureen N. McLane

4 December 2025

Late​ in Claire-Louise Bennett’s novel Big Kiss, Bye-Bye, the unnamed protagonist goes to Montevideo to participate in a ‘panel discussion about violent scenes from movies’. She had hesitated to . . .

‘The Badger’

Nick Laird

4 December 2025

Driving from Durrus to Ballydehobto see for myself the family farmhousethey burned my grandmother out ofa hundred years ago the hedgerowon my right gives way to intermittentflashes of the lovely spangle . . .

Kate Riley’s ‘Ruth’

Josie Mitchell

20 November 2025

Is sin​ an inescapable condition? Ruth, the narrator of Kate Riley’s first novel, has given this question much thought. When she asks forgiveness, she does so in the knowledge that she will ‘sin . . .

Get a Real Degree

Elif Batuman, 23 September 2010

I should state up front that I am not a fan of programme fiction. Basically, I feel about it as towards new fiction from a developing nation with no literary tradition: I recognise that it has anthropological interest, and is compelling to those whose experience it describes, but I probably wouldn’t read it for fun.

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Vermicular Dither

Michael Hofmann, 28 January 2010

Stefan Zweig just tastes fake. He’s the Pepsi of Austrian writing.

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Le pauvre Sokal: the Social Text Hoax

John Sturrock, 16 July 1998

Way back in the pre-theoretical Fifties, a journalist called Ivor Brown used to have elementary fun at the expense of a serial intruder on our insular peace of mind, a bacillus known as the LFF,...

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The Fatness of Falstaff

Barbara Everett, 16 August 1990

One day early in the 1590s a clown came onto a London stage, holding a piece of string. At the end of the piece of string was a dog. The dog, possibly the first on the Elizabethan stage, I want to...

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Diary: On the Booker

Julian Barnes, 12 November 1987

The only sensible attitude to the Booker is to treat it as posh bingo. It is El Gordo, the Fat One, the sudden jackpot that enriches some plodding Andalusian muleteer.

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Sounding Auden

Seamus Heaney, 4 June 1987

Hard-bitten, aggressively up-to-date in the way it took cognisance of the fallen contemporary landscape, yet susceptible also to the pristine scenery of an imaginary Anglo-Saxon England, Auden’s original voice could not have been predicted and was utterly timely.

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Fairy Flight in ‘A Midsummer Night’s Dream’

William Empson, 25 October 1979

So the working fairy does at least half a mile a second, probably two-thirds, and the cruising royalties can in effect go as fast as her, if they need to. Puck claims to go at five miles a second, perhaps seven times what the working fairy does. This seems a working social arrangement.

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Poem: ‘Demonstration’

Jorie Graham, 20 November 2025

I took off my glasses& pocketed them.I took out my eyes& tossed them upfor the crows to catch& turn tonotes. I feltthe wind. The one crowlanding on the rankingbranch. Staringat me....

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No Illusions: Syntax of Slavery

John Kerrigan, 20 November 2025

Slavery was accepted across most of the early modern world. No one wanted to be a slave, except when the alternative was being executed after a battle, or made a human sacrifice, but the institution was...

Read more about No Illusions: Syntax of Slavery

Poem: ‘Garnets’

Patricia Lockwood, 6 November 2025

I’m glad he’s gone my father said.But that was the beginningOf my obsession with garnets.He did cure my husband in the end,Just as I had jokingly wishedHoped requested. Begged,Prayed...

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It’s for dorks: Michael Clune’s ‘Pan’

Christian Lorentzen, 6 November 2025

When Michael Clune’s character in Pan alights on Proust in the course of his daily writing practice, he learns a mode of ‘redescription’ for the narrative of his life. Clune is also describing his...

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Story: ‘Mango’

Diane Williams, 23 October 2025

He was holding up his shoe, inspecting the sole of it, and barely balancing on one leg, when I first saw him. I had asked him about the shoes – and he said any sort would do – that it...

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For Jorie Graham, the teeming possibilities of lyric – tense and mood, syntax and sound crossed with layout and measure – harbour a fullness of time which is neither mere chronology nor novelistic...

Read more about Chi Chi Trillip Trillip: Jorie Graham looks ahead

Poem: ‘Enheduanna’s Song’

Robert Crawford, 23 October 2025

A version in Scots of a Sumerian hymn to the goddess of love and war, attributed to the priestess Enheduanna of Ur (fl. 2255 BCE), the world’s earliest identifiable author. As well as...

Read more about Poem: ‘Enheduanna’s Song’

Virginia Woolf admired Jane Austen above all for her ability to grasp the exceptional moment – ‘in which all the happiness of life is collected’ – as it arises out of and then subsides back into...

Read more about Unconditional Looking: Mrs Dalloway’s Demons

Kebabs are consequential: On Kiran Desai

Adam Mars-Jones, 23 October 2025

Comedy can mean either the active incitement of laughter or a set of literary conventions. If a fair proportion of Kiran Desai’s Loneliness of Sonia and Sunny is comedy in the first sense, all of it...

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Ouvriers de luxe: Author v. Publisher

Julian Barnes, 23 October 2025

Gustave Flaubert’s first three novels, Madame Bovary, Salammbô and L’Éducation sentimentale, were all published by Michel Lévy. The relationship, as established by Flaubert, was quite straightforward:...

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Poem: ‘Clearing’

Maureen N. McLane, 9 October 2025

morning mist and cloudfaint on the mountaina god is moving his faceover the waters a godin the cleft in the pass up theghyll the scramblers maketheir way also up –yesterday  ...

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It can’t have been hard for Susan Choi to hit on the title of her novel, which has been shortlisted for the Booker Prize. Flashlights show the way; they expose dark corners; in the right hands they’re...

Read more about Reflexive Hostility: Susan Choi’s ‘Flashlight’

Poem: ‘Autumn Cyclamen’

A.E. Stallings, 25 September 2025

Autumn cyclamen,booby-trapping underfootlike a mistimed spring,clutch of shame’s blushes,flock of flamingos balancedon slender stemwareor mad flight of hats,magenta origami,by...

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Ben Pester’s Expansion Project is not a cheerful book, but it is a funny one. The corporate attempt to suppress and compartmentalise human feeling is repeatedly shown to be laughable. But pain is non-compliant;...

Read more about I am entirely made of wood: Ben Pester’s Surreal Scrutiny

I don’t think there’s anyone on today’s bestseller lists as accomplished on the page as Elmore Leonard was; he had the extraordinary ability to evoke a place with the sparsest of descriptions and...

Read more about Never use your own car: Elmore Leonard’s Superpower

Beaverosity: Biography of a Biography

Seamus Perry, 11 September 2025

Richard Ellmann saw himself as emulating Joyce: the main job of the biographer was less a matter of ‘observing’ than of ‘ferreting’, which was also the word he used to describe ‘Joyce’s habit...

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Poem: ‘Fore/mother’

Sarah Howe, 11 September 2025

Truth becomes fiction when the fiction’s true;Real becomes not-real when the unreal’s real.              Dream of the...

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Dream Count is a product of Adichie’s more ambivalent African feminism. The novel is written entirely from the perspective of women, but their primary interest appears to be their relationships with...

Read more about Greased with Complaints: Chimamanda Ngozi Adichie’s Ambivalence

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