Writing about time by David Cannadine, Perry Anderson, Angela Carter, Stanley Cavell, Barbara Everett, Edward Said, John Banville, Rebecca Solnit, David Wootton, Jenny Diski, Malcolm Bull, Andrew O’Hagan...
When Michael Clune’s character in Pan alights on Proust in the course of his daily writing practice, he learns a mode of ‘redescription’ for the narrative of his life. Clune is also describing his own writing process and the book we are reading, one that has a didactic and therapeutic purpose beyond the story it tells, though of a sort so thoroughly idiosyncratic as to defy any comparison to self-help.
I’m glad he’s gone my father said.But that was the beginningOf my obsession with garnets.He did cure my husband in the end,Just as I had jokingly wishedHoped requested. Begged,Prayed even. Haha but . . .
Writers approach the publication of their first books with a variety of tactics, depending on temperament. In 1896 the dandiacal Max Beerbohm, with a tip of his straw boater, called his first book The . . .
There’s no shortage of advice for anyone who wishes to sample the work of one of the most widely admired 20th-century writers. The literary genres Virginia Woolf mastered during a career cut brutally . . .
At one point in Kiran Desai’s new novel the heroine, Sonia Shah, sets out to write a journalistic sketch of the Indian kebab, ‘massaged, marinated, oiled, spoiled, pampered, pompous, romantic’ . . .
I should state up front that I am not a fan of programme fiction. Basically, I feel about it as towards new fiction from a developing nation with no literary tradition: I recognise that it has anthropological interest, and is compelling to those whose experience it describes, but I probably wouldn’t read it for fun.
Stefan Zweig just tastes fake. He’s the Pepsi of Austrian writing.
Way back in the pre-theoretical Fifties, a journalist called Ivor Brown used to have elementary fun at the expense of a serial intruder on our insular peace of mind, a bacillus known as the LFF,...
One day early in the 1590s a clown came onto a London stage, holding a piece of string. At the end of the piece of string was a dog. The dog, possibly the first on the Elizabethan stage, I want to...
The only sensible attitude to the Booker is to treat it as posh bingo. It is El Gordo, the Fat One, the sudden jackpot that enriches some plodding Andalusian muleteer.
Hard-bitten, aggressively up-to-date in the way it took cognisance of the fallen contemporary landscape, yet susceptible also to the pristine scenery of an imaginary Anglo-Saxon England, Auden’s original voice could not have been predicted and was utterly timely.
So the working fairy does at least half a mile a second, probably two-thirds, and the cruising royalties can in effect go as fast as her, if they need to. Puck claims to go at five miles a second, perhaps seven times what the working fairy does. This seems a working social arrangement.
Writing about time by David Cannadine, Perry Anderson, Angela Carter, Stanley Cavell, Barbara Everett, Edward Said, John Banville, Rebecca Solnit, David Wootton, Jenny Diski, Malcolm Bull, Andrew O’Hagan...
Writing about children’s literature by Joan Aiken, Bee Wilson, Marina Warner, Wendy Doniger, Rosemary Hill, Jenny Turner, Marghanita Laski, Andrew O’Hagan, Jenny Diski and Gillian Avery.
Mark and Seamus look at the life and work of Elizabeth Bishop, the east-coast American poet who enjoyed a limited audience, and published relatively little, in her lifetime, but whose reputation has grown...
In their first episode together, recorded in 2017, Mark Ford and Seamus Perry looked at the life and work of Philip Larkin, a poet much written about in the archive of the London Review of Books.
Mark and Seamus discuss the life and work of Thomas Hardy, with its blend of bitterness of tenderness, its intense dramatisations of loss and grief, and its inversion of traditional tropes of love poetry...
Mark and Seamus discuss life and work of W. H. Auden, from the influence of his parents and his political development, to how his poetry emerged from a meeting of English tradition with high modernism,...
Mark and Seamus discuss the life and work of Stevie Smith, ‘an eccentric poet with a tenacious reputation,’ and a famous performer of her poetry, considering the despair that underlines her best work,...
Mark and Seamus discuss the life and work of Worcestershire lad A.E. Housman, whose imaginative poetic landscape of a vanishing England in A Shropshire Lad, with its expression of the agony of thwarted...
Mark and Seamus look to that great poet of winter and snow, Wallace Stevens, considering his anecdote-proof life, the capitalist economy of his imagination, and his all-American poetry of precise abstraction.
Seamus Perry and Mark Ford discuss the work of Seamus Heaney
In the final episode of their series, Mark and Seamus confront Robert Lowell: the Boston Brahmin for whom poetry trumped every other consideration, and whose Cold War ‘confessionalism’ came to exemplify...
Mark Ford, Seamus Perry and Joanna Biggs consider the balance of biography and mythology in Plath’s work, situating her as a transatlantic, expressionist poet of the Cold War.
He was holding up his shoe, inspecting the sole of it, and barely balancing on one leg, when I first saw him. I had asked him about the shoes – and he said any sort would do – that it...
For Jorie Graham, the teeming possibilities of lyric – tense and mood, syntax and sound crossed with layout and measure – harbour a fullness of time which is neither mere chronology nor novelistic...
A version in Scots of a Sumerian hymn to the goddess of love and war, attributed to the priestess Enheduanna of Ur (fl. 2255 BCE), the world’s earliest identifiable author. As well as...
morning mist and cloudfaint on the mountaina god is moving his faceover the waters a godin the cleft in the pass up theghyll the scramblers maketheir way also up –yesterday ...
It can’t have been hard for Susan Choi to hit on the title of her novel, which has been shortlisted for the Booker Prize. Flashlights show the way; they expose dark corners; in the right hands they’re...
Autumn cyclamen,booby-trapping underfootlike a mistimed spring,clutch of shame’s blushes,flock of flamingos balancedon slender stemwareor mad flight of hats,magenta origami,by...
Ben Pester’s Expansion Project is not a cheerful book, but it is a funny one. The corporate attempt to suppress and compartmentalise human feeling is repeatedly shown to be laughable. But pain is non-compliant;...
I don’t think there’s anyone on today’s bestseller lists as accomplished on the page as Elmore Leonard was; he had the extraordinary ability to evoke a place with the sparsest of descriptions and...
Richard Ellmann saw himself as emulating Joyce: the main job of the biographer was less a matter of ‘observing’ than of ‘ferreting’, which was also the word he used to describe ‘Joyce’s habit...
Truth becomes fiction when the fiction’s true;Real becomes not-real when the unreal’s real. Dream of the...
Dream Count is a product of Adichie’s more ambivalent African feminism. The novel is written entirely from the perspective of women, but their primary interest appears to be their relationships with...
While she always insisted that she wasn’t a ‘real’ critic, Parker is more astute than most on matters of style, the literary quality for which repetition is both most necessary and most risky. Doing...
A man is fishing under the iron bridge.If I watch him watching the water, I see he is lostin thought. His morning dream came with him.His children are soft-voiced with pain; the dreamis a wheel...
The short time they have been together, they have shared sex, the house and garden! – food and drink! – what some would consider freedom! – although this is probably the last...
filled the fields. The way forward filled with the wayback. Are those humans out there orjust hollows filled with mercury & ash.When it comes into view the mountain is cleaved open.The silver...
In The Lesser Bohemians, sex is where the narrative sits, not where it goes from time to time. It’s shown as part of people’s lives, as sex is. Sex in The City Changes Its Face is a different thing....
What is the missing noun to which English refers: literature, language or both? If both, does English belong with the study of other modern languages and literatures? Is its primary concern with literature...
From the late Middle Ages all the way to Pasolini’s 1971 film, Boccaccio has been best remembered – understandably, if unfairly – for his most obscene and ribald tales. In Italian, the adjective boccaccesco means...
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