The Republic of Consciousness Prize for small presses has been won by Fitzcarraldo Editions for Jean-Baptiste Del Amo’s novel Animalia, translated from French by Frank Wynne. Because of Covid-19, the £10,000 prize money this year is being divided equally between all the shortlisted publishers.
The Brazilian president, Jair Bolsonaro, is the only world leader widely believed not only to have Covid-19 and to have lied about it, but to have knowingly spread it to untold numbers of his followers. Time (or Veja, the country’s leading news magazine) will tell, but at the very least, the circumstantial evidence is curious. Bolsonaro called on his largely evangelical base to hit the streets on 15 March to shut down Congress and the Supreme Court. Under quarantine after his return from the US – 25 members of his entourage have been infected with coronavirus, making Bolsonaro the centre of the largest initial cluster in Brazil – the president broke out of his motorcade to shake hands and high five those calling for the government buildings to be burnt to the ground.
The criminal courts and the jails that feed and are fed by them are ideal incubators of Covid-19. It comes as no surprise that an elderly prisoner has died today, either from or with the virus, and he won’t be the last. Courts bring people together in small spaces for hours or days at a time, in the courtrooms, the cells, and the jury rooms, not to mention the offices where the staff work. In the basement cell area of a court I attended recently, a single air-conditioning unit blew the same air through all the cells and into the interview and staff rooms. My colleagues have been complaining for years about broken plumbing, absence of soap and towels, and frequently filthy conditions.
On Monday, news channels showed Matt Hancock moving boxes of personal protective equipment from a warehouse to a truck. He admitted that there had been a problem with distribution. Last Thursday evening, a London hospital had to declare a ‘critical incident’ after running out of critical care beds. Social media streams are filled with reports from paramedics about missing equipment and sharing masks. Spain meanwhile (to take one example) has ordered 640,000 testing kits from China. International comparisons have become an inevitable part of the response and interpretation of the crisis. Should Britain continue along its own peculiar furrow or be more like Italy, France, Germany, China or South Korea? Also from Spain, there are disturbing reports of residents being left ‘dead and abandoned’ in at least three care homes. Where are we going?
How do we live in a world where, in the short run, we are all infected? Even if we are not infected, and never will be infected, we must live as if we are infected. Every social interaction contains the possibility of death. Not touching your face in public is an act of self-discipline that can protect the nation.
The enormous, blinking radio tower on Twin Peaks is half-hidden in mist, as it usually is this time of morning. And the N Judah streetcar rattles and squeals in and out of the tunnel below every fifteen minutes or so, as it routinely does, except on weekends and holidays when the intervals between trains are longer. I have woken to its sound and fallen asleep, often late, to the last train in the very early morning, for nearly 38 years now. Much else has changed around me here, but these two, the streetcar and mist, have not. I suppose they have become more a part of my identity than I realise.
Victorian industrialists had a particular approach to advertising and branding, with money no object. Where feasible, the factory or mill itself was designed to promote the product. Rather like stained glass windows in medieval churches, easily instructive for the illiterate, the buildings were set free to tell the story. The façade of John Marshall’s linen mill at Holbeck in Leeds, built in the late 1830s, was a magnificent copy of the great temple at Edfu: flax had been cultivated in Egypt, and linen woven from it, since ancient times.