Myths about Monet
Julian Barnes
Early in 1971, Robert Hughes, recently appointed as Time magazine’s chief art critic, was ripping out his loft apartment at 143 Prince Street when he received an unexpected visitor. This was Henry Geldzahler, curator of modern art at the Metropolitan Museum. Hughes, probably the most macho and combative critic in his profession, was, by his own account, sweaty, foul-tempered,...