Andrew O’Hagan is the LRB's editor at large. His play, The Ballad of Truman Capote, directed by him, will be on at the Edinburgh Festival this summer.
Once a rich person gets past a billion, their sense of humour tends to go, along with their tolerance for ordinary people. They can’t begin to spend the money, but they can’t stop thinking about it either. The clever ones don’t buy into the fallacy that the riches are actually theirs: they offload as much as they can, then leave the problem firmly where it belongs, in the...
Harry will allow no contradiction and no variance – ‘Recollections may vary,’ the late queen said – and only when his wider family shows that it ‘deeply appreciates’ the truth of what he’s gone through will ‘reconciliation’ be possible. Harry says, in his Montecito meets TikTok kind of way, that ‘forgiveness is 100 per cent a possibility,’ and that he’s ‘open’ to helping the royal family understand its own unconscious bias. It must be quite annoying, if you’re them. You don’t have to be Baudrillard to feel that Harry’s idea of the truth is simplistic, and that he’s become a bit of a fundamentalist: anything that isn’t ‘my truth’ is automatically part of the big lie. Harry has set out to convince the world that his family are professional liars, with one or two saving graces, such as heavenly anointment. And he’s not wrong.
Ionce drove to Forest Lawn Memorial Park. It was before Michael Jackson had his crypt there, but I remember finding Walt Disney’s grave and that of Gutzon Borglum, the sculptor of Mount Rushmore. A few writers are there too: Theodore Dreiser, who wrote well about department stores in Sister Carrie, and Clifford Odets, who believed shopping was one of America’s chronic diseases....
Overnight, the newspapers got in on the act, behaving as if history were simply a concatenation of our large feelings. ‘Our Hearts Are Broken,’ the Daily Mail screams. ‘How to find the words? Our grief is a hundred different emotions, all of them hard to grasp.’ (Is shame an emotion, and is it hard to grasp?) ‘We Loved You, Ma’am,’ roars the Sun, which changed its banner from red to purple. It seems consistent with the general nullity that the papers emoting most extravagantly are the ones that made the queen suffer the most.
For scholars of heartbreak and trepidation, the Dolly Parton songbook is a core text. No other singer would say ‘please’ when begging Jolene not to take her man. In Country Music, Ken Burns’s recent documentary series, Parton insists a great song is like an heirloom or a keepsake, essentially a piece of storytelling. A well-written song can dramatise a wonderful character...
In his introduction to our twelfth LRB Collection, Sisters Come Second, Colm Tóibín writes that most siblings dream of being only children. Malin Hay explores this idea with Colm and Andrew O’Hagan,...
Andrew O’Hagan talks to Tom about the power of defunct objects, from the life-enhancing gadgets of his childhood to Seamus Heaney’s fax machine, and the role lost things play in fiction.
Mary-Kay Wilmers, who retired as editor of the LRB last month, talks to Andrew O’Hagan about her career, first at Faber and Faber, then the Listener, then for 42 years at the London Review of Books....
Andrew O’Hagan talks to Thomas Jones about the friendship between Robert Louis Stevenson and Henry James, and the time they spent together in Bournemouth.
Andrew O’Hagan reads his piece about attending Karl Lagerfeld’s memorial in Paris.
We look back at 40 years of the LRB in our anniversary event at Conway Hall.
Andrew O'Hagan analyses Craig Wright’s failed attempts to prove he was Satoshi Nakamoto, the creator of Bitcoin.
Andrew O'Hagan watches Craig Wright show Gavin Andresen that he holds the Satoshi key.
Mary-Kay Wilmers, Andrew O’Hagan and Ben Eastham talk to Sarah Howe about ‘Long-Form Essays in the Digital Age’.
Andrew O’Hagan describes his experiences trying to be Julian Assange’s ghost writer.
Andrew O’Hagan retraces Samuel Pepys’s infuriating journey to work and tries to cross Tottenham Court Road.
Andrew O’Hagan meets Norman Mailer just a few months before he died.
Andrew O’Hagan chaired this discussion between Linda Colley, R.W. Johnson and Tom Devine about national histories and the ways they should, and should not, be taught.
Andrew O’Hagan talks about his work for the LRB, from his first piece on the murder of James Bulger to his more recent essay on paedophile culture.
Mary-Kay Wilmers, editor of the LRB, talks to Andrew O’Hagan about her book The Eitingons, a story of the twentieth century told through the lives of her ancestors: a fur-trader, a psychoanalyst and...
About a third of the way through his first book, The Missing, Andrew O’Hagan pauses over a perception he thinks his readers may find ‘a bit surprising’. It’s an intricate...
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