Rosemary Hill

Rosemary Hill’s most recent book is Time’s Witness: History in the Age of Romanticism. Her four-part series, The Lives of Stonehenge, can be found on the LRB Podcast. She is a contributing editor at the LRB. Having dismissed Constable, she is still pondering the subject of her next book.

Artistic influence​ may benefit from a degree of misunderstanding: it keeps it from lapsing into imitation. By the time William Morris launched the Arts and Crafts movement in the 1860s, it took a certain wilful ignorance to believe, as he and Ruskin did, that the builders of the Gothic cathedrals were anonymous artisans, working humbly for the glory of God. Three generations of antiquarian...

There has been​ more than one revival of interest in the mayfly career of Pauline Boty since her death in 1966 at the age of 28. In accordance with Cecil Beaton’s dictum that it takes slightly longer than 25 years for a cycle of taste to complete and for the merely dated to become historic, it was in 1993 that the Barbican put on The Sixties Art Scene in London, which featured several...

‘But you’ve killed me!’ Barbara Comyns’s daughter, Caroline, recognised her younger self in Fanny, the little girl who dies of scarlet fever in Comyns’s second novel, Our Spoons Came from Woolworths. ‘Poor, beautiful little Fanny! her life had been wasted because of stupidity and poverty.’ On its first publication in 1950, when Caroline was fifteen,...

The England​ of 1530 lives deep in the national imagination. It was a landscape of timber-framed manor houses, castles, small towns and villages, spires and towers. At about 2.6 million the population was still in recovery from the Black Death and half what it had been in 1300, but there was a general air of prosperity. London, always an exception, was densely packed with houses whose...

The catastrophe​ of the First World War was, for many women, ‘pure liberation’. The words are those of the novelist E.M. Delafield, whose Diary of a Provincial Lady was the ancestor of Bridget Jones. There was a sense of relief at emerging into a world from which the constraints of the Edwardian age had been blown away. The loss of 880,000 men meant that many women would never...

Leave me my illusions: Antiquarianism

Nicholas Penny, 29 July 2021

Moonlight on broken stone tracery is a common motif; dark interiors provide a foil for stained glass and for white satin and deep blue velvet. The men must be away on the crusades. Young women are sobbing...

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Very Pointed: Pugin

Dinah Birch, 20 September 2007

Modern lives look prim beside the turbulent existence of Augustus Welby Northmore Pugin. Distractions and misfortunes proliferated throughout his career: shipwreck (he was in his own boat,...

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