Rosemary Hill’s most recent book is Time’s Witness: History in the Age of Romanticism. Her four-part series, The Lives of Stonehenge, can be found on the LRB Podcast. She is a contributing editor at the LRB. Having dismissed Constable, she is still pondering the subject of her next book.
For those of us who had not grown up in houses where there were grand pianos or interesting pebbles thoughtfully arranged to catch the light, Kettle’s Yard was an introduction not only to the work of particular painters and sculptors but an experience in itself, an idea about what art and life could be.
As an enigmatic symbol, the lighthouse has long held an imaginative appeal. The Pharos at Alexandria was remarkable among secular buildings, E.M. Forster wrote, in having ‘taken on a spiritual life of its own’, being, in effect, worshipped, so that ‘long after its light was extinguished, memories of it glowed in the minds of men.’ A secular age still feels a need for the light that shines in the darkness and for comfort in places of danger.
One of the more depressing aspects of the post-lockdown ‘Eat Out to Help Out’ phase was the abolition of the menu. On the dubious premise that handling them might transmit infection, menus were replaced, especially in pubs, by a QR code bathetically sellotaped to the table. Thus was lost a little more of the pleasure, the ceremony and the novelty of being catered for, and a...
The first time I remember meeting Carmen was at a London Review Christmas party. She came up to me and said: ‘You’re marvellous darling, you understand irony.’ I’m not sure whether she actually poked me in the chest but I felt as if she had. Then she moved off without further comment.
The sisters of artists are doomed to bear the brunt of their brothers’ disappointments, or so Balzac’s struggling poet Lucien tells his sister, Eve, at the start of a long letter home listing his difficulties. Having come to Paris to seek love and fame he has found neither. He is broke and has had to take a furnished room in the Hôtel de Cluny, a derelict...
Rosemary Hill and Jeremy Harte discuss the many groups and stories that have emerged throughout the 20th century to challenge the narratives about Stonehenge presented by archaeologists.
For the third episode in her short series on Stonehenge, Rosemary Hill is joined by Seamus Perry to experience the stone circle through the mind and eyes of a Romantic, with the likes of Wordsworth, Blake,...
In the second episode of her short series looking at why Stonehenge has occupied such an important place in the story of Britain, Rosemary Hill talks to Kate Bennett about the two antiquarians, John Aubrey...
Rosemary Hill begins a new four-part series looking at what people have thought about Stonehenge over the past few hundred years, and why it’s come to matter so much in the story of Britain. In the first...
In the final episode in our series looking at the way history was transformed in the Romantic period, Neil MacGregor joins Rosemary Hill to discuss the circulation of artefacts throughout Europe in the...
In the third episode of her series looking at how history was transformed in the Romantic period, Rosemary Hill talks to Roey Sweet about the antiquarians, a new breed of multi-disciplinary investigators,...
In the 1740s the Scots were invading England and the wearing of tartan was banned. By the 1850s, Queen Victoria had built her Gothic fantasy in Aberdeenshire and tartan was everywhere. What happened in...
In the first episode of a new four-part series looking at the way history was transformed in the Romantic period, Rosemary Hill is joined by Tom Stammers to consider how an argument over the ‘improvement’...
Rosemary Hill looks at women and clothes, and what happens between them, in life and literature, in her 2018 LRB Winter Lecture.
Moonlight on broken stone tracery is a common motif; dark interiors provide a foil for stained glass and for white satin and deep blue velvet. The men must be away on the crusades. Young women are sobbing...
Modern lives look prim beside the turbulent existence of Augustus Welby Northmore Pugin. Distractions and misfortunes proliferated throughout his career: shipwreck (he was in his own boat,...
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