In the latest issue:

In Quarantine

Erin Maglaque

Après Brexit

Ferdinand Mount

Short Cuts: Springtime for Donald

David Bromwich

Meetings with their Gods

Claire Hall

‘Generation Left’

William Davies

At the North Miami Museum: Alice Paalen Rahon

Mary Ann Caws

Buchan’s Banter

Christopher Tayler

‘American Dirt’

Christian Lorentzen

Fiction and the Age of Lies

Colin Burrow

In Lahore

Tariq Ali

GOD HATES YOUR FEELINGS

James Lasdun

Rereading Bowen

Tessa Hadley

At the Corner House

Rosemary Hill

William Gibson

Thomas Jones

Poem: ‘Murph & Me’

August Kleinzahler

The Stud File

Kevin Brazil

John Boorman’s Quiet Ending

David Thomson

In Shanghai: The West Bund Museum

John-Paul Stonard

Diary: The Deborah Orr I Knew

Jenny Turner

WerwolfSteve Ely
Close
Close

At bay in wounded country, panting across
the loping snowfield for sanctuary of pines.
Hounds bungling the line through folds of worried sheep,
discharge of oaths and anxious shotguns
barking off the trail. Torn throats and sucked blood:
constables, collaborators, conscripts and their whores.
From disembowelled cottage to massacred farmyard,
the identikit’s identical: bristling trapezoids
hackled with ice, scissoring carnassials;
eyes like fiery opals, bright as lamp-post piss-stains
in late October snow.

Nightfall cowers militia in barracks, cringes peasants
to rosaried hearthsides. Doors bolted against the wind
and worse. Darkness prowls the town’s dirt-streets,
its growled-breath misting the windows of the tavern,
where oil lamps blaze and carousing farmers blare.
Plank-door slammed off its hinges: shadow
of the man-wolf, forming out of night;
grey steel gun-barrel, lit gaze and dripping maw.
Shankill’s chalk-voiced elocution                                    breaks
the howling silence:
                                        Trick or Treat?

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