For Alasdair Roberts
 I remember the girl
 with the hare-lip
 down by Clachan Bridge,
 cutting up fish
 to see how they worked;
 by morning’s end her nails
 were black red, her hands
 all sequined silver.
 She simplified rabbits
 to a rickle of bones;
 dipped into a dormouse
 for the pip of its heart.
 She’d open everything,
 that girl.
 They say they found
 wax dolls in her wall,
 poppets full of human hair,
 but I’d say they’re wrong.
 What’s true is
 that the blacksmith’s son,
 the simpleton,
 came down here once,
 fathomed her, and bucked.
 Claimed she licked him
 clean as a whistle.
 I remember the tiny stars
 of her hands around her belly
 as it grew and grew, and how
 after a year, nothing came.
 How she said it was still there,
 inside her, a stone-baby.
 And how I saw her wrists
 blue-bangled with scars
 and those hands flittering
 at her throat,
 to the plectrum of bone
 she’d hung there.
 As to what happened
 to the blacksmith’s boy,
 no one knows
 and I’ll keep my tongue.
 Last thing I heard, the starlings
 had started
 to mimic her crying,
 and she’d learned how to fly.
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