Robert Crawford was Bishop Wardlaw Professor of Poetry at St Andrews until 2020. He is the author of Young Eliot, Eliot after ‘The Waste Land’, The Bard: Robert Burns, a Biography and Bannockburns: Scottish Independence and Literary Imagination, 1314-2014, as well as several collections of poems, including A Scottish Assembly, Full Volume and Testament.
Smile at that tiny poem and it will sparkle back at you. It is a novel the size of an egg-cup. The first in a sequence of individually numbered ‘Gaelic Stories’, its strength lies in mischievous enjambments. Others that follow confine in very few words life-dramas that have a humorous patina, yet could tilt toward the tragic:‘
The ritual of the taxi ride to my uncle’s funeral, its names Leuchars, Pitlessie, Blairgowrie, Kippen, Balfron.
Passing a village shop whose window reads YOU CAN’T TOP TUNNOCKS, I save the striped wrapper of a Tunnock’s Caramel Wafer.
All my family are graduates of that chocolate coating, loyal to its sticky texture on the teeth.
MORE THAN 4,000,000 OF THESE...
Under the North Sea, a mile off Elie Where once she was noticed in a mullioned window, White lace cap rising, brooding over her table, Margaret Oliphant Wilson Oliphant Translates onto starfish and nacred shells Montalembert’s Monks of the West
Still weary, awash with hackwork to support Dead Maggie, Marjorie, Tiddy and Cecco, Her water babies, breathing ectoplasm, She watches aqualungs...
Younger Scottish writers seem to be preoccupied by gender. It is a theme crucial equally to Duncan McLean’s novel Bunker Man and to Kathleen Jamie’s poetry collection The Queen of Sheba. It is insistent in W.N. Herbert’s poem ‘Featherhood’ and Janice Galloway’s Foreign Parts. It bridges writing as different as the poetry of Carol Ann Duffy, Kate Clanchy or David Kinloch, and the fiction of Christopher Whyte or A.L. Kennedy. Some of these poets and novelists are wary of each other. Jamie recently refused to read with Irvine Welsh because of what she saw as the misogyny of one of his short stories. Yet even such wariness reinforces a sense that these issues are worth contesting.’
Sounding out phrases in letters as well as in verse kept things going for T.S. Eliot: he needed a low level of compositional hum. Like a secular spiritual exercise, the letters to Emily Hale sustained...
Can places, like people, have a personality, a set of things you can love or not love? Do countries speak? Do lakes and mountains offer a guide to living? Could you feel let down by a city? Can...
The late Bernard Crick, who had a fine and memorable funeral in Edinburgh the other day, left a legacy of sharp opinions behind him. Among the least popular was his opinion of the British...
Robert Fergusson died in Edinburgh’s Bedlam on 17 October 1774. He was 24 years old. He had been admitted to the asylum three months before, against his will, because his mother could no...
Anthologies are powerful things: movements are launched, periods are parcelled up, writers are made and broken. They are, or want to be, the book world’s performative utterances: defining...
Until recently, the notion that the academic subject called ‘English’ had any sort of history would have seemed rather odd. Hadn’t it always just, well, existed? Surely, at his...
In books that go on about how the English have imposed their language and their manners on other English-speaking nations (Australian, Canadian, Scottish and Welsh and Irish, others), what is...
Whether in person or in print, self-consciousness is unsettling. Self-conscious writers, like self-conscious speakers, can’t help betraying that they’re more concerned with their...
‘The idea that Eliot’s poetry was rooted in private aspects of his life has now been accepted,’ says Lyndall Gordon in the Foreword to her second volume of biographical rooting...
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