She travels to Greece on a boat with Havelock Ellis, finds herself in Egypt just when King Tut’s tomb is opened, gets photographed by Man Ray, has sherry with Elizabeth Bowen, runs into Arthur Waley at Iseult Gonne’s, becomes Freud’s analysand in 1933, reads her poetry before the future Queen Elizabeth II during the Second World War. One wonders why there has been no biopic, or at least a mini-series. (Please, no one do this.)
If it is the job of a poet to cast spells, H.D. was very good at it. She was a master of the striking launch, the bravura speech act, sustained intensity. Her work can seem like a high-wire performance, a hierophantic authority balancing over the abyss of kitsch; what’s amazing is how often she pulls it off.