Michael Wood

Introducing a 1999 edition of Antonio Di Benedetto’s The Silencer, first published in 1964, his fellow novelist Juan José Saer saw the work as belonging to ‘a sort of trilogy’. The idea caught on, and in 2011 Zama (1956) and The Suicides (1966) joined The Silencer in a single volume advertised as a ‘trilogy of waiting’. Whether this event or any other marks the time Saer himself was waiting for is still a question. Saer said Di Benedetto had readers ‘from the beginning’, but they were very few and even if he had become a little better known before he died, in 1986, ‘the immense debt of Argentinian culture to Antonio Di Benedetto has still not been settled.’

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