In the latest issue:

In Quarantine

Erin Maglaque

Après Brexit

Ferdinand Mount

Short Cuts: Springtime for Donald

David Bromwich

Meetings with their Gods

Claire Hall

‘Generation Left’

William Davies

At the North Miami Museum: Alice Paalen Rahon

Mary Ann Caws

Buchan’s Banter

Christopher Tayler

‘American Dirt’

Christian Lorentzen

Fiction and the Age of Lies

Colin Burrow

In Lahore

Tariq Ali


James Lasdun

Rereading Bowen

Tessa Hadley

At the Corner House

Rosemary Hill

William Gibson

Thomas Jones

Poem: ‘Murph & Me’

August Kleinzahler

The Stud File

Kevin Brazil

John Boorman’s Quiet Ending

David Thomson

In Shanghai: The West Bund Museum

John-Paul Stonard

Diary: The Deborah Orr I Knew

Jenny Turner

The Word from Wuhan

Wang Xiuying

A New CountryHugo Williams

Do you drop things? Do you trip
and hurl cups of tea ahead of you,
going upstairs? Do your possessions
have a life of their own
in which they dither idiotically
on your fingertips, then make a sudden leap?

In a flash they find their new home
in a dark corner of your room,
a distant country.
Your face turns red
and your head swells up like a balloon
as you make yourself bow down.

You see your own hand,
like someone else’s hand,
two quivering fingers stretched out
to retrieve some random coin or pen,
before dropping it again
and kicking it further out of reach.

Do you have a grabber yet?
Or do you leave things where they are
in a tideline of debris
which crunches underfoot?
Do you shuffle along like that
in order to grind it into the carpet?

It seems to come naturally to you,
demonstrating your new talent
for acting as if you were drunk,
joke hair on top, collapsible legs,
that hilarious expression of dismay
as you start to fall.

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