Rise up! we heard their war-cry – Levitation!
the trembling leaves kept sighing –
Levitation! Then Hurry Harry abandoned
the way of the raccoon and beaver, and felt
his heart whirled aloft by some hand
or talon: Oh no more, he reasoned, will I scramble
blindly between settlement and clearing, mocked
by the melancholy loon. Off, off, again
off, ye buckskin garments! How it glints,
my rifle, in the sun, as it arcs
towards the lake. And listen – on the stony beach
the ripples whisper, Oh hurry
Hurry Harry, oh Harry, hurry, hurry . . .
The Death of Hart Crane
I was intrigued by the letter in your last issue from a reader that recounted his meeting, in a bar in Greenwich Village in the mid-sixties, a woman who claimed to have been a passenger on the Orizaba on the voyage the boat made from Vera Cruz to New York in April of 1932, a voyage that the poet Hart Crane never completed. According to her Crane was murdered and thrown overboard by sailors after a night of such rough sex that they became afraid (surely wrongly) that he might have them arrested when the boat docked in Manhattan. This reminded me of a night in the early seventies on which I too happened to be drinking in a bar in Greenwich Village. I got talking to an elderly man called Harold occupying an adjacent booth, and when the conversation touched on poetry he explained, somewhat shyly, that he had himself published two collections a long time ago, one called White Buildings in 1926, and the other, The Bridge, in 1930. I asked if he’d written much since. ‘Oh plenty,’ he replied, ‘and a lot of it much better than my early effusions.’ I expressed an interest in seeing this work, and he invited me back to his apartment on Macdougal Street. Here the evening turns somewhat hazy. I could hear the galloping strains of Ravel’s Boléro turned up loud as Harold fumbled for his keys. Clearly some sort of party was in progress. At that moment the door was opened from within by another man in his seventies, who exclaimed happily, ‘Hart! – and friend! Come in!’ The room was full of men in their seventies, all, or so it seemed, called either Hart or Harold. The apartment’s walls were covered with Aztec artefacts, and its floors with Mexican carpets. It dawned on me then that Hart Crane had not only somehow survived his supposed death by water, but that his vision of an America of the like-minded was being fulfilled that very night, as it was perhaps every night, in this apartment on Macdougal Street. At the same instant I realised that it was I, an absurd Doubting Thomas brought face to face with a miracle, who deserved to be devoured by sharks.
Name and address withheld