In the latest issue:

In Quarantine

Erin Maglaque

Après Brexit

Ferdinand Mount

Short Cuts: Springtime for Donald

David Bromwich

Meetings with their Gods

Claire Hall

‘Generation Left’

William Davies

At the North Miami Museum: Alice Paalen Rahon

Mary Ann Caws

Buchan’s Banter

Christopher Tayler

‘American Dirt’

Christian Lorentzen

Fiction and the Age of Lies

Colin Burrow

In Lahore

Tariq Ali


James Lasdun

Rereading Bowen

Tessa Hadley

At the Corner House

Rosemary Hill

William Gibson

Thomas Jones

Poem: ‘Murph & Me’

August Kleinzahler

The Stud File

Kevin Brazil

John Boorman’s Quiet Ending

David Thomson

In Shanghai: The West Bund Museum

John-Paul Stonard

Diary: The Deborah Orr I Knew

Jenny Turner

The Word from Wuhan

Wang Xiuying

Two PoemsCarl Rakosi


There is the mordant voice
from the back alleys of Paris,
Villon with Diogenes in his eye,

and Robin Starveling, the tailor
(he goes with my proletarian bent)

and Tom Snout, the tinker
(he goes with my ironic nature
although Francis Flute, the bellows-mender
is more fanciful),

and the voice of the young wife
explaining to her close friend
why she had chosen this man for a husband:
‘he’s not handsome but he’s good.’

I hear them! I hear them!

Confession, 1931

And now the young followers
of Pound close ranks,
I among them,
and wish to be heard.

As a populist
I wish to proceed
with serious dignity,
thus: ‘My fellow townsmen, etc.’

but I have a hornpipe
in my head,
kicking up its heels
and wanting out

but delicately,
as if a butterfly had flown
out of the English language.

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