In the latest issue:

In Quarantine

Erin Maglaque

Après Brexit

Ferdinand Mount

Short Cuts: Springtime for Donald

David Bromwich

Meetings with their Gods

Claire Hall

‘Generation Left’

William Davies

At the North Miami Museum: Alice Paalen Rahon

Mary Ann Caws

Buchan’s Banter

Christopher Tayler

‘American Dirt’

Christian Lorentzen

Fiction and the Age of Lies

Colin Burrow

In Lahore

Tariq Ali


James Lasdun

Rereading Bowen

Tessa Hadley

At the Corner House

Rosemary Hill

William Gibson

Thomas Jones

Poem: ‘Murph & Me’

August Kleinzahler

The Stud File

Kevin Brazil

John Boorman’s Quiet Ending

David Thomson

In Shanghai: The West Bund Museum

John-Paul Stonard

Diary: The Deborah Orr I Knew

Jenny Turner

The Word from Wuhan

Wang Xiuying



One house
next again
pert green
white garage
sprinkler muted

out of order no

wraparound sound, sigh

of fridge door

city tightening

the mountains
seem not to move
have texture

pavement empty, road adrift, the car
shining safely

the neighbour hood coming to a slow

coming to a rolling


The police stations seamless, riveted
and sealed, foreign as spacecrafts; still
the place grows around them. Prams like
hot-wired cars lie empty on the grass;
past tricolour kerbstones girls push
at invisible winds; sky the colour of armour
and the air muscular with battle.

The slow quotidian burrs in these hives
of negativity. King Billy and Princess Di
rule their dystopia of Rangers clubs and chip shops
in the here and now, the present tense
with counterflow, facing time head-on
as walls face winds, coasts face off the seas,
and lose so slowly it feels like winning.

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