After Pierre Bonnard
 The woman’s cupboard, she’s stocked
 with jellies, chutneys, pickled limes
 and bottles of blue-skinned plums
 that just to look at is to taste
 their sweet green flesh. Inset in the wall,
 the inside’s painted the red of petals –
 poppies, geraniums – of dream blood.
 When she opens the white door
 it’s like opening herself.
 Among jars of quince and apple,
 the red satin dress with a boned bodice
 she wore as a girl; and multiplied behind,
 down a long corridor of deepening reds,
 the woman who each month either swelled
 with a child, or felt the little burp
 and bubble that began her flow.
 And beyond, in black red fields,
 her mother, and her grandmother,
 and her grandmother’s mother –
 a queue stretching back, back.
 Some days, when she opens the door
 on her riches, her gifts, her sumptuous store,
 all that’s left
 is the thick scent of blood.
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