In the latest issue:

In Quarantine

Erin Maglaque

Après Brexit

Ferdinand Mount

Short Cuts: Springtime for Donald

David Bromwich

Meetings with their Gods

Claire Hall

‘Generation Left’

William Davies

At the North Miami Museum: Alice Paalen Rahon

Mary Ann Caws

Buchan’s Banter

Christopher Tayler

‘American Dirt’

Christian Lorentzen

Fiction and the Age of Lies

Colin Burrow

In Lahore

Tariq Ali


James Lasdun

Rereading Bowen

Tessa Hadley

At the Corner House

Rosemary Hill

William Gibson

Thomas Jones

Poem: ‘Murph & Me’

August Kleinzahler

The Stud File

Kevin Brazil

John Boorman’s Quiet Ending

David Thomson

In Shanghai: The West Bund Museum

John-Paul Stonard

Diary: The Deborah Orr I Knew

Jenny Turner

No Man’s LandJames Greene

At the seaside dazed by the sun
And its tremendous symphony,
Strangers are friends. Families
Under the cliffs uncover navels,
Amorous bumps, far-fetched clefts;
And the kids squeal with terror,
Their ball kidnapped by a wave.

If only at the graveside we could
Ungrit our teeth, weeping buckets,
Our family might feel
Less estranged: drunk on grief
And memories of a great-aunt
And her long black bathing-costume;
Not this cocktail-party chat.

In previous centuries, in church,
Composers publicly sobbed:
Domine refugium! And Nelson,
On shore, could weep.
I’m scared of my relations.
I might as well be on a beach,

Asleep, an overpowered
Sand-shrouded corpse too stuck
To run for the sea, to be released
From a dream of immurement
And pyramids, crying earthy tears
At imagined burials. It’s my funeral.

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