Flying up a valley in the Alps where the rock
 rushes past like a broken diorama
 I’m struck by an acute feeling of precision –
 the way the wing-tips flex, just a little
 as the German crew adjust the tilt of the sky and
 bank us all into a minor course correction
 while the turbo-props gulp at the mist
 with their old-fashioned thirsty thunder – or
 you notice how the hostess, perfecting a smile
 as she offers you a dozen drinks, enacts what is
 almost a craft: Technical Drawing, for example,
 a subject where desire and function, in the hands
 of a Dürer, can force a thousand fine ink lines
 to bite into the doubts of an epoch, spelling
 Humanism. Those ice reefs repeat the motto
 whispered by the snow-drifts on the north side
 of the woods and model villages: the sun
 has a favourite leaning, and the Nordic flaw
 is a glow alcohol can fan into a flame.
 And what is this truth that holds the grey
 shaking metal whole while we believe in it?
 The radar keeps its sweeping intermittent promises
 speaking metaphysics on the phosphor screen;
 our faith is sad and practical, and leads back
 to our bodies, to the smile behind the drink
 trolley and her white knuckles as the plane drops
 a hundred feet. The sun slanting through a porthole
 blitzes the ice-blocks in my glass of lemonade
 and splinters light across the cabin ceiling.
 No, two drinks – one for me, one for Katharina
 sleeping somewhere – suddenly the Captain
 lifts us up and over the final wall
 explaining roads, a town, a distant lake
 as a dictionary of shelter – sleeping elsewhere
 under a night sky growing bright with stars.
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