In the latest issue:

Democracy? No thanks

Eric Foner

The Bournemouth Set

Andrew O’Hagan

Short Cuts: How to Block Spike

Rupert Beale

Poem: ‘Lark’

Anne Carson

Mussolini’s Unrealism

Edward Luttwak

Characteristically Spenderish

Seamus Perry

Waiting for Valéry

Michael Wood


Michael Hofmann

The Case for a Supreme Court

Stephen Sedley

A Great Wall to Batter Down

Adom Getachew

At Las Pozas: Edward James’s Sculpture Garden

Mike Jay

He’s Humbert, I’m Dolores

Emily Witt

Archigram’s Ghost

Jonathan Meades

‘Love at Last Sight’

Chloë Daniel


Clare Bucknell

Scotland’s Dreaming

Rory Scothorne

Diary: In Guy Vaes’s Footsteps

Iain Sinclair

Lost DrawingRuth Fainlight

Bare winter trees in silhouette
against a clear cold turquoise sky
just after sunset: during the war,
at my aunt’s house in Virginia, I tried
to draw them – trees like these in England
which she never saw – and now,
trees in my garden make me feel
the first true pang of grief since her death.

Between the wash-tubs and storecupboards filled
with pickled peaches and grape-jam, crouched
into a broken wicker chair,
I peered up through the basement window.
Sketchpad on my lap, with brushes and
bottles of black ink, blue ink, and water,
I wanted to convey the thickness
of their trunks, the mystery
of how a branch puts out a hundred
twigs, the depth and power of evening.

I heard her cross the porch, the kitchen
floorboards creak. As it grew darker,
that halo of light, outlining
all the finest intersections,
faded. Night absorbed the trees
the house the woman and the girl
into itself, kept every aspect
of that time alive, to give
me back today the memory
of my dead aunt and my lost drawing.

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