In the latest issue:

In Quarantine

Erin Maglaque

Après Brexit

Ferdinand Mount

Short Cuts: Springtime for Donald

David Bromwich

Meetings with their Gods

Claire Hall

‘Generation Left’

William Davies

At the North Miami Museum: Alice Paalen Rahon

Mary Ann Caws

Buchan’s Banter

Christopher Tayler

‘American Dirt’

Christian Lorentzen

Fiction and the Age of Lies

Colin Burrow

In Lahore

Tariq Ali


James Lasdun

Rereading Bowen

Tessa Hadley

At the Corner House

Rosemary Hill

William Gibson

Thomas Jones

Poem: ‘Murph & Me’

August Kleinzahler

The Stud File

Kevin Brazil

John Boorman’s Quiet Ending

David Thomson

In Shanghai: The West Bund Museum

John-Paul Stonard

Diary: The Deborah Orr I Knew

Jenny Turner

The Word from Wuhan

Wang Xiuying

Lost DrawingRuth Fainlight

Bare winter trees in silhouette
against a clear cold turquoise sky
just after sunset: during the war,
at my aunt’s house in Virginia, I tried
to draw them – trees like these in England
which she never saw – and now,
trees in my garden make me feel
the first true pang of grief since her death.

Between the wash-tubs and storecupboards filled
with pickled peaches and grape-jam, crouched
into a broken wicker chair,
I peered up through the basement window.
Sketchpad on my lap, with brushes and
bottles of black ink, blue ink, and water,
I wanted to convey the thickness
of their trunks, the mystery
of how a branch puts out a hundred
twigs, the depth and power of evening.

I heard her cross the porch, the kitchen
floorboards creak. As it grew darker,
that halo of light, outlining
all the finest intersections,
faded. Night absorbed the trees
the house the woman and the girl
into itself, kept every aspect
of that time alive, to give
me back today the memory
of my dead aunt and my lost drawing.

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