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“... of the truth of what we know. But the evidence is really little more direct than the evidence David’s portraits give us of revolutionary frankness, Gainsborough’s of the charm of actresses, or Reynold’s of the integrity of colonels. Significantly, it is the photo-reportage conventions of Cartier-Bresson which are turned to when photography is used ...”

“... more compelling or beguiling on sexual or other topics, have totally vanished. In E.F. Benson’s David Blaise, ‘young, pink flesh’ appears under wet, black knickerbockers in an open squash court: yet where is David now? The Hill, by H.A. Vachell, a tale of true friendship, drew hot tears, from me at least: it is still ...”

“... the stages of nature as they have changed through the successive periods of British prehistory. David Stoddart’s conclave of geographers engage in a philosophical exploration of geography itself. It is always a pleasure to find a tribute to the schoolroom. Richard Muir was fortunate to have an inspiring teacher who contrived to overcome ‘the tedious O ...”

“... audio-visual life, but the relatively recent personifications by Albert Finney, Peter Ustinov and David Suchet dominate most memories. None of these figures much resembles the ‘short, stout, elderly man, his hair cut en brosse’ that Agatha Christie describes. Well, they often manage the stout bit, but for the rest they are tallish, more like ...”

“... C.R.W. Nevinson, Mark Gertler, Paul Nash and Stanley Spencer. Together they are the subject of David Boyd Haycock’s compelling group biography, A Crisis of Brilliance: Five Young British Artists and the Great War (2009), and now also of an exhibition at the Dulwich Picture Gallery (until 22 September). Gertler became obsessed with Carrington. Nash was in ...”

“... we know what sort of film this is, and we wait and see. It Follows, written and directed by David Robert Mitchell, offers an extraordinary mixture of over and under-statement, with almost nothing in between. In the scene I have just described, and indeed throughout the movie, the soundtrack, composed by an outfit called Disasterpeace, crashes and thumps ...”

“... safely (if painfully and disastrously) in the mind. No director realises this more clearly than David Cronenberg. He is best known no doubt for The Fly (1986), Dead Ringers (1988) and his much vilified Crash (1996), but some of us have a soft spot, if that’s the term, for his early work The Brood (1979), a classic instance of the acting-out theory. A ...”

“... with Keira as the once and future whistleblower Katharine Gun, watching Tony Blair explain to David Frost why it was necessary for Britain to go to war. ‘Bloody liar,’ she says. ‘They’re all bloody liars.’ Frost and Bliar don’t react. (I remember this too, the fury and the not-reacting.) Blair leans forward and insists that Saddam has weapons ...”

“... weirder. Kaufman goes to town on the meet the parents scenario, and Mum and Dad (Toni Collette and David Thewlis) go through the motions with relish. Mum giggles and gushes; Dad’s idea of joviality is scariness itself. Jake loses his temper in embarrassment. None of this is excruciatingly funny, but it is excruciating. Surely this is where the gothic stuff ...”

“... waited for the tide, lying in the sun like seals. It’s the tail end of punk, and Leso, Bever and David look entirely of their time, with spiked hair and amateurish tattoos. Leso, who looks like a sea-weathered Paul Weller, is a nervy ringleader, holding court. Bever, only recently out of jail after a pub fight, has his own name tattooed on his neck. You ...”

“... to discover she has grown giant arms, provoked Dimbleby into debate with her co-curator father, David. (Printed scrolls of their exchanges dangle between gallery bays.) Artist: ‘It’s what I feel like when I start drawing after a long period of not being able to draw.’ Broadcaster: ‘But that’s just your feminism, feminist propaganda … Why do we ...”

“... by homicidal maniacs on a collision course are also coming closer to one another. The novelist David Lodge, in one of the earnest but flustered contributions typical of Authors take sides on the Falklands, is more realistic. He writes that regaining the Falklands is not worth one human life. But he then confesses: ‘There is no doubt in my mind that ...”

“... until 1967 it remained outside all the coalition governments, ostracised thanks by and large to David Ben-Gurion, whose governing slogan was ‘Without Herut or Maki’ (the Israeli Communist Party). Gahal joined the Government for the first time during the crisis of May 1967, when Levi Eshkol was prime minister. Begin had the title of Minister without ...”

“... like Angleton in the room. When he wanted someone to understand the Monster Plot – someone like David Blee, for example, who took over as chief of the Soviet Bloc Division in the CIA’s clandestine wing in 1971 – Angleton would schedule time for ‘the briefing’. He didn’t tell Blee what it was all about in twenty minutes: he walked him through ...”

“... fresh pasta and spliced Paolozzis, Ramparts, rampant kirks, laddies’ and ladies’ hat-works, David Humery, domes with hearty, clarty splashings, The crowned spire, the dungeons, the crags, the old lags, the seagulls Raucous on carless early mornings, the Firth of Forth perjink past crowsteps Of informatics, draughty parallelograms, pandas and heritage ...”