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“... Lord Byron’), ‘Paul’s Tattoo’ (alluding to ‘Tattoos’ in James Merrill’s sequence ‘Peter’), ‘An Island Sheaf’ (alluding to Hart Crane’s Key West: An Island Sheaf), ‘Summer Landscape’, ‘Lily and Bronze’, ‘After the Fourth’, ‘American Sublime’ (alluding to Stevens’s ‘The American Sublime’). Even Doty’s cleverest ...”

“... may be one thing, but a writer like Pierre Guyotat is hardly in need of ‘appropriation’ by a white Jewish writer from New York. Too often, her novels were a barrage of attacks on writerly skills she lacked. Her extravagant self-presentation often worked against her too. Attacking capitalism while dressed in Valentino can look like absurdist theatre. But ...”

“... scandalous … He has made a will leaving them to me plus £500.’ In the end they were left to Peter Coats, Channon’s boyfriend of many years, who allowed the publication in 1967 of a drastically abbreviated and expurgated edition, incompetently edited by Robert Rhodes James, which was greeted with widespread ridicule and contemptuous comparison with ...”

“... Blakey is a better fit. B. is solicitous if not saintly around my mother. Helps her fold up her white metal cane from the Braille Institute and calls her ‘Mavis’ in a polite, Boston-bred, upper-middle-class-lesbian-daughter-in-law way – much as Mary Cheney’s lover, one imagines, addresses her in-laws as ‘Dick’ and ‘Lynne’. B. played squash ...”

“... post-feminist or anti-feminist film, or just in some baffling way French. In the Guardian, Peter Bradshaw went for ‘provocative’, before deciding it was a ‘startlingly strange rape-revenge black comedy’. I didn’t think it was as strange as all that and I did think it was funny, but what really struck me was that every woman I knew who had ...”

“... it might be a clothesline, ‘old and dark grey’: ‘It had burst open and was giving up its white pith.’ Or it might be a locker room, where ‘hair pieces like Skye terriers waited for their masters’; or a courtroom, where a lawyer called Cannibal Pinsker has ‘a large yellow cravat that lay on his shirt like a cheese omelette’; or an old ...”

“... later, Freud cut the Spender poems out of the book, ‘deeming them superfluous’.) Peter Watson, who funded Horizon, also began to enjoy Freud’s company. ‘He helped me very much, looked at my pictures and bought things and gave me money and books,’ Freud said. ‘He had pictures that I liked and learned from, very good things … He had a ...”

“... the inner cage and the Professor could, by creeping a little nearer, have witnessed what no white man had ever seen: half-dance, half-drama, the first work of art created by a species less than man … He found he had, in unscientific compunction, averted his eyes.What happens after the heist is pure soap opera. Search parties trawl the zoo looking for ...”

“... or at least has done since 1913 – Bordwell offers us an illustration from a film called Red and White Roses, released in that year. Of course, not even Bazin was arguing that montage was all bad, or that films could or should abandon it entirely, and the idea that film history consists of battles between the two approaches is as rigid and unhandy as the ...”

“... as are the arrows      Of that silver sphereWhose intense lamp narrows      In the white dawn clear,Until we hardly see, we feel that it is there.‘I should be grateful for any explanation of this stanza’, Eliot said.Until now I am still ignorant to what sphere Shelley refers, or why it should have silver arrows, or what the devil he means ...”

“... surface. Black daisies absorb heat so they thrive in these low temperatures. But there are mutant white daisies which reflect heat and, as the temperature rises even further, these begin to flourish. So Daisyworld is cooled by white daisies and warmed by black ones. A simple flower is able to regulate and stabilise the ...”

“... Fernandez’s fifteenth birthday cake, which was all there was to eat, a sort of pudding made of white beans, solid and indigestible, imperfectly baked in an improvised haybox oven since the gas was off. In 1946 Liliane remarried. Angelo Tasca, an Italian journalist, was as high-minded as she was, but much more in touch with the pleasure principle. As ...”

“... Acker photographed brilliantly, especially in the shots taken by Robert Mapplethorpe: that soft, white face, with big, round eyes in the cheeks of a chubby cherub; that soft, white skin, pierced and pinched and hyperextended with hooks and rings and belts and dumb-bells: Acker was lifting weights long before lifting ...”

“... pre-conference skirmishers were all on the left. The hardly well-kept secret leaked out that Peter Mokaba, the fiery head of the youth section, had had a career as a police informer. Mokaba has become so prominent that it would be embarrassing for the ANC leadership to admit to this, so we suddenly found him cropping up at Mandela’s side to welcome ...”

“... Canute-ism. But neither in Rhodesia nor in Algeria was there the slightest sign that the minority white regimes would give way to anything less than overwhelming violence: indeed, all means short of that were tried – and failed. But neither the FLN nor ZANLA could hope to take on the conventional military force of their opponents on anything like equal ...”