It’s Modern but is it contemporary?
Hal Foster, 16 December 2004
“... of P&S slightly. Now there is room to show greats like Picasso struggle, and less-greats like Paul Signac shine. (The decision to begin with his wild Neo-Impressionist portrait of the debonair critic Félix Fénéon caused much consternation: that’s how fetishised the presentation had become.) One effect is to ease the expectation that every work be ... ”