Search Results

“... This is an important insight: but in the area of loss of faith Dr Collini’s touch is not sure. Robert Elsmere rightly receives his attention. Mrs Humphry Ward was Matthew Arnold’s niece, her place in the circle being given posthumous confirmation by her husband’s History of the Athenaeum. Robert Elsmere’s enormous ...”

“... Robert Hughes begins his autobiography, as he began his recent book on Goya, by describing the road accident in Western Australia that nearly killed him in 1999, and his subsequent ordeals in hospital and in court. In this new book he expands on the treatment he received from Australian journalists and in particular on the allegation made by a local reporter that he had referred to a prosecution lawyer descended from Indian migrants as a ‘curry muncher’, which was then repeated by a succession of other journalists ...”

“... leaders privy to these extraordinary reports. The Americans, too, had unruly fears. In June 1962 Robert Kennedy asked a Russian confidant whom he rightly thought to be an officer in the KGB: ‘Tell me Georgi, is there anyone in the Soviet leadership who advocates a decisive clash with the United States?’ The meeting and the question were reported to ...”

“... the Frost of the anthologies, the author of ‘guidebooks for the spirit of individualism’, as Robert Faggen puts it, attracted to empty woods and roads less travelled, and suspicious of New Deals and other easy offers of a lift. But real individualists don’t read guidebooks, and Frost wasn’t writing them. On receiving the Emerson-Thoreau medal in ...”

“... should provide plenty of grist for the biographer’s mill. But here, as in other respects, Robert Graves is an awkward subject, for the salient feature of his career is its lack of obvious stages. Looking backwards from his 70th birthday, he observed contentedly: ‘I always aimed at writing more or less as I still do.’ Having paid his debt to ...”

“... life rather than art to art, or fiction to fiction. In two respects, unfortunately, Fatherland by Robert Harris makes artistic comparisons inescapable. It belongs, first, to that select genre of fiction which deals in the Alternative Present, or in this case an alternative recent past. It is set in 1964 in the vast, imperial, intimidating Berlin of an ...”

“... When Samuel Smiles was preparing to write his Lives of the Engineers in 1858, Robert Stephenson was doubtful about whether the subject would prove attractive to readers. He had already been surprised by the success of Smiles’s biography of George Stephenson, his father, which had appeared one year earlier. Robert Stephenson died before the first volume of the Lives of the Engineers appeared in 1861, and Martin Wiener and others have taken his funeral to represent symbolically the end of a great era in cultural as well as in British economic history ...”

“... mythical imagery and only a few pointers to the context of the war. In pieces such as ‘To Robert Nichols’ or ‘Letter to S.S. from Mametz Wood’ Graves explicitly figures poetry as a means of temporarily blocking out the terrors of combat. Graves’s other means of escape from the brutalities of both school and the battlefield were his romantic ...”

“... interweaves deep historical insights with a strong composer’s inevitable prejudices – Robert Simpson’s impersonal challenge is spotlessly objective, sternly factual and, at the same time, unashamedly ethical. His scrupulous analysis of the Proms’ past yields a practical proposal as well as what already seems to have proved an indisputable ...”

“... to forget that Crick ever set it. Nowhere is it more difficult to observe than in the matter of Robert Burns. Long ago, Edwin Muir said that ‘for a Scotsman to see Burns simply as a poet is almost impossible.’ Robert Crawford, himself an admired and graceful poet, writes on the closing page of The Bard that ...”

“... American realism, once a belief, is now an idle liberty. Writers such as Robert Stone, Joan Didion, John Irving and even Don DeLillo, are praised for their ‘realism’, for the solidity of their plots, the patience of their characterisation, the capillary spread of their social portraits, the leverage of their political insight ...”

“... A reviewer faced with 1,155 pages about Robert Maxwell is entitled to look at the pictures first. Joe Haines’s biography contains over eighty photographs of his hero, many in colour. Mostly they show him hobnobbing with crowned heads, presidents or prime ministers, with a pop star or a footballer thrown in. One picture, more puzzling than some, is captioned ‘Maxwell and team, about to leave Ulan Bator in the Mirror jet ...”

“... into a meeting-place which is fiercely lit and surrounded by shadows. When Colin and Mary meet Robert, he drily pumps them: Robert began to ask them questions and at first they answered reluctantly. They told him their names, that they were not married, that they did not live together, at least, not now. Mary gave the ...”

“... she condemns Lady Audley’s crimes, Braddon also hints, through the anti-feminist diatribes of Robert Audley, Sir Michael’s nephew, that women are frustrated and destructive because they are confined to passive domestic lives: If they can’t agitate the universe and play at ball with hemispheres, they’ll make mountains of warfare and vexation out of ...”

“... Of the initial meeting between Robert Katz, investigative hack and would-be screenwriter, and the late film director Rainer Werner Fassbinder, the former now records that the latter ‘seemed terribly annoyed’. To be honest, admits Katz, Fassbinder was in something of a bate throughout their brief acquaintance: his abiding image of the director is of someone ‘irascible, whining ...”