Search Results

“... and that she was officiously being kept alive, although rumoured to be comatose, to have turned black and to have shrivelled to the size of a doll. The ancient Marchesa began shaking with laughter and continued until tears ran down her cheeks. She managed to pull herself together, but as Blackwood was leaving, started to laugh again as she tried to ...”

“... be shown to be more important than my life.’ Nora distinguishes the Woman Upstairs from the black man in a ‘Ralph Ellison basement full of light bulbs’ or ‘the madwomen in the attic’. The Woman Upstairs is ‘the quiet woman at the end of the third-floor hallway, whose trash is always tidy, who smiles brightly in the stairwell with a cheerful ...”

“... point, which Miller doesn’t make but seems just as important, is that there was no tradition of black abolitionism in France, nothing like the public-speaking circuits and abolitionist press that produced such figures as Frederick Douglass and Olaudah Equiano.) There is no equivalent of Uncle Tom’s Cabin, Miller writes, ‘no singularly influential ...”

“... Wife), 20th-century France (The Statement) and the Jesuit missions in 17th-century Quebec (Black Robe). Each of these places is evoked in prose possessed of that cutting edge of vividness which enabled Moore to write thrillers as well as mainstream fiction. In Black Robe his surgical directness can be ...”

“... and went to Buckingham Palace to watch the Changing of the Guard, then went to look at the glossy black door of 10 Downing Street for the first time. For lunch, she ate what she fancied – salad, cheesecake and not one, not two, but three glasses of bitter lemon – and for once had not cooked any of it. Then she bought a plastic policeman’s hat and a ...”

“... As an example of this kind of text, he cited the James Bond novels. Eco’s approach to Ian Fleming in this book was welcome for its critical gusto and its sense that he had really enjoyed the novels (by a sweet irony, Sean Connery would later take the lead in Jean-Jacques Annaud’s film of The Name of the Rose). But he maintained, nonetheless, a ...”

“... to savour its violence. Delacroix’s The Women of Algiers is another painting in the imaginary Black Museum. This harem scene, featuring three serene, richly clad, seated women and one standing woman, was not painted with an innocent eye. Far from it, it is really rather sinister, for it ‘passes for objective fact or scientific fact, and, at the same ...”

“... On this level, their activities echo the pre-pubertal world of Our Gang. Behind the metaphorical black mask there is an organisation through which leading politicians, but chiefly ministers, communicate. It is a process by which, albeit in roundabout style, they submit their thoughts to the litmus test of public opinion. What offends the critics is that none ...”

“... newspapers and journals (the line of influential poetry reviewing stretches from Edward Thomas to Ian Hamilton). Sooner or later, the taste which innovating literary journalists shape and enforce seeps through to institutions of higher education, which then disseminate it to their students, many of whom transmit it to the next generation of ...”

“... Brian Redhead and David Butler. At least I have now seen a swingometer, although since the set was black and white, I only learned the following day that the arrow was neon purple. I have also seen David Dimbleby trying to build bricks with straw, when by midnight he still had only four results and was hard pushed to find enough of interest to say about them ...”

“... kind of superiority to fashion, publicity, even print itself. Sterne affected no such loftiness. Ian Campbell Ross’s new biography provides an introductory cameo of Sterne’s triumph of self-marketing. He made himself available to his admirers, the measure and embodiment of his fictional imagination. After a week he was writing home to say he was ...”

“... This morning there is a man in a short black coat running across a high brick wall; a hunchbacked fly springing sticky-fingered from perch to perch, before dropping heavily into the street. The wall – weathered yellow brick grouted with carbon deposits and grime – is enough of a barrier to have doubled in television films, cop shows or faked documentaries as the exterior of a prison ...”

“... as Gordon Burn does in his new novel Fullalove, that not green cheese or God’s love but black pus – meaningless suffering, and an appetite for meaningless suffering – is the basic building-block of the universe. The narrator is a journalist in his fifties, writing exploitative human-interest pieces, preferably with a direct link to violent ...”

“... a fraction of the material available to the editor. Readers may find it useful to have at hand Ian Hamilton’s masterly biography, first published in 1983, if only to provide more continuity, close some of the gaps in the story. He is thorough, lucid and just (admiring and condemning), and it is a bonus that his comments on the poetry – after all, our ...”

“... it poured with rain. Undaunted, our hosts poured petrol on the pitch. A huge pall of black smoke rose over the ground and we resumed play on an extreme version of a rapidly drying wicket. Jamaican cricket involved a good deal of audience participation and my own delivery of slow leg-breaks was frequently accompanied by cries of ‘Mash him ...”