Mark Ford

Mark Ford teaches English at UCL and presents the LRB podcast series Close Readings with Seamus Perry. Woman Much Missed: Thomas Hardy, Emma Hardy, and Poetry is out now.

Two Poems

Mark Ford, 6 January 2000

One Figures

in his plans, but briefly, as a cupped hand holds water, or as private and public spheres collide

and blur, overlap within his fragile, omnivorous stare. Barely awake, dazed and blinking, I was urged under

solemn oath to consider the lilies of the field who neither toil nor spin. Hallelujah, I meant to answer, selah, only

a seething, surf-like roaring in my ears seemed to engulf...

The Style It Takes: John Cale

Mark Ford, 16 September 1999

Despite their ill-rated, short-lived, acrimonious reunion in 1993, the Velvet Underground are still the coolest rock band there ever was. Nowadays, music critics and historians talk of their seminal influence on punk or grunge, and you can buy big boxed CD sets (bearing that irresistible sticker ‘Contains Previously Unreleased Material’) of out-takes and rehearsal sessions, although it seems no live recordings survive from their heyday – that is, before Lou Reed kicked John Cale out of the band, ending three years of almost symbiotic closeness.’‘

Two Poems

Mark Ford, 27 May 1999

Reproduction

of whatever you are absorbing with your five senses is forbidden, and may provoke nausea, insomnia, loss of balance or blurred vision: it were better you retire, and then attack, hurling weapons and imprecations at the diffident foe. The world averts its gaze, and unfortunate schemers drag their woes from home to muddy fields: all roads lead to rooms, as the Irish say, and to...

The first literary appearance of the mythical figure of Prometheus (whose name means ‘foresight’) is in the writings of Hesiod. Hesiod’s Titan is something of a trickster, of ‘intricate and twisting mind’ in Richmond Lattimore’s 1959 translation, who first affronts Zeus by trying to cheat him of his sacrificial dues: Prometheus slaughters an ox, but instead of offering the meat to the father of the gods, he gives it to men, presenting Zeus only with the animal’s bones, concealed beneath a thick layer of fat. As punishment, Zeus decides to deny mankind the use of fire, but Prometheus cleverly manages to steal the sacred flame, which he smuggles down to Earth by hiding it in the hollow of a fennel stalk.‘

Poem: ‘I wish’

Mark Ford, 4 March 1999

you would please spare me your Western logocentrism! Isn’t it clear I’m the sort who rejoices when the Queen Mother chokes on a fish-bone? I’d shine a harsh, piercing light on the damage indiscriminately wrought by the tinkling music of the spheres. Our errands merely seem average and natural: every second is underwritten by an invisible host of dubious connections; like...

I prefer my mare: Hardy’s Bad Behaviour

Matthew Bevis, 10 October 2024

Not unlike the God he complains about, Thomas Hardy’s smilingness is often in league with his sadism, and writing poetry was a way for him to plead innocent and guilty at the same time.

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If Hardy was half a modern Londoner, the other half had a weakness for the pastoral-oracular. The two halves changed shape, feeding and modifying each other.

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Earthworm on Zither: Raymond Roussel

Paul Grimstad, 26 April 2012

‘I have travelled a great deal,’ Raymond Roussel wrote towards the end of his life, ‘but from all these travels I never took anything for my books.’ It’s an odd...

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Fronds and Tenrils: Mark Ford

Helen Vendler, 29 November 2001

Suppose, having been betrayed – ‘hooked/then thrown back’ – you decide to let your instant reflex, a desire for revenge, cool off overnight; then suppose you wake up the...

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In the Anti-World: Raymond Roussel

Nicholas Jenkins, 6 September 2001

In 1924 the Surrealist Benjamin Péret was eager, like many artists then and since, to relate his own interests to the works of the rich, bizarre and innovative French poet, novelist and...

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Eternal Feminine

Ian Gregson, 7 January 1993

The excitable, exuberant surface of Mark Ford’s poems makes them instantly attractive. They speak with a bewildered urgency: See, no hands! she cried Sailing down the turnpike, And flapped...

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