Erin L. Thompson

On 20 April 2018, bidders gathered at Christie’s showrooms in Rockefeller Plaza for the auction house’s annual ‘exceptional sale’. The cover of the catalogue showed the top half of an almost life-sized marble statue of Hercules holding a cornucopia, his beard neatly curling and his lion-skin cape pulled up over his head.

Jonathan Tokeley-Parry, who died last month, had a business card in the early 1990s that described him as ‘Jonty “Brown Trews” Tokeley: Smuggler and Fabricator of Egyptian Antiquities’. By his own estimate, Tokeley-Parry smuggled three thousand antiquities out of Egypt in 65 trips over six years. His success was down to his skill as a ‘fabricator’. He made genuine antiquities appear fake by covering them in layers of conservation plastic, plaster, gaudy paint and gilt. His goal was to make a piece ‘look as much as possible like a kitsch bazaar thing, the sort that idiots buy in hotel shops’.

‘Why are you crying, habibi?’ Mansoor Adayfi asked the elephant. He had got into the habit of talking to animals at Guantánamo Bay. Held in solitary confinement for years, he talked to the feral cats who prowled around his cage.