Christopher Ricks

Christopher Ricks is the author of Keats and Embarrassment, among other books. He is a professor of English at Cambridge University.

High Punctuation

Christopher Ricks, 14 May 1992

Fecund and jocund, well-earned and learnèd, wittily wily, But I digress is a delight and a treasure-house, alive with moving illumination and with benign warning, in short a delight-house of a book. It is the best work at once of literary criticism and of literary history I’ve read for many and many a day.

Umpteens

Christopher Ricks, 22 November 1990

Adrian Room has garnered umpteen dedications, and some of them are of interest, but what is the point of unrolling them alphabetically as something purporting to be a dictionary? Abbott opens, and Zangwill closes, yet the book is not a work of reference. It is an anthology. A lazy piece of work, or of relaxation, and not just because its compiler has declined the effort of an imaginative ordering and has instead fallen back on A to zzzz.

Appelfeld 1990

Christopher Ricks, 8 February 1990

The upright fiction of Aharon Appelfeld arises from the level facts of his anguished and brave young life. Like the novels themselves, a note on their author is laconic, lapidary and on oath:

Diary: Thoughts of Beckett at News of His Death

Christopher Ricks, 25 January 1990

Thoughts of Beckett at news of his death. The unforgettable Hardy title has been knocking. ‘Thoughts of Phena at News of Her Death’. It had previously come to mind at news of another death, Philip Larkin’s, because of his once pinpointing essentially the birth of his own art: the moment when he stopped condescending to Hardy’s. ‘As regards his verse I shared Lytton Strachey’s verdict that “the gloom is not even relieved by a little elegance of diction.” This opinion did not last long; if I were asked to date its disappearance, I should guess it was the morning I first read “Thoughts of Phena at News of Her Death”.’

Version of Pastoral

Christopher Ricks, 2 April 1987

The Enigma of Arrival: V.S. Naipaul’s title is the one at which Apollinaire enigmatically arrived, for the painting by Giorgio de Chirico. A detail of it illuminates Naipaul’s cover and his book: making their huddled way from a classical quayside (the scene bathed both in shadow and in sun), two stoled figures have their obscured faces towards us and their backs to a wall. Above the wall billows the sunlit summit of a sail.

Ti tum ti tum ti tum: Chic Sport Shirker

Colin Burrow, 7 October 2021

If one suspects, at times, that one’s eye is being led on a dance, it is at least always a merry one, and Christopher Ricks is a fine enough critic to worry whether he might have crossed the invisible...

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T.S. Eliot’s mind was a vast, labyrinthine echo chamber, and perhaps more than any other canonical poet of the English language he was conscious of the previous uses by other writers of the words he...

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Misgivings: Christopher Ricks

Adam Phillips, 22 July 2010

In his first book, Milton’s Grand Style, Christopher Ricks showed us that Milton wanted his readers to be attentive to the fact that when our ‘first parents’ fell, their...

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Forget the Dylai Lama: Bob Dylan

Thomas Jones, 6 November 2003

A scene from a concert: on stage, a young Jewish-American folk singer/ songwriter, accompanied only by his own guitar and the harmonica around his neck, with a forceful, nasal voice and...

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This book comes in two parts. The first, ‘The Poet as Heir’, investigates characteristic uses of allusion by major British poets of the 18th and 19th centuries: Dryden, Pope,...

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Elegant Extracts: anthologies

Leah Price, 3 February 2000

Anthologies attract good haters. In the 1790s, the reformer Hannah More blamed their editors for the decay of morals: to let people assume that you had read the entire work from which an...

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When Emerson wrote to Whitman that there must have been ‘a long foreground’ preceding the composition of Leaves of Grass, he expressed the curiosity every reader feels when coming upon...

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The Verity of Verity

Marilyn Butler, 1 August 1996

Christopher Ricks’s new book makes available many of his distinguished lectures given in the Eighties and Nineties. The essays retain a sense of occasion, and of a star performance on...

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Leases of Lifelessness

Denis Donoghue, 7 October 1993

Near to death in Malone Dies, Malone says: ‘I wonder what my last words will be, written, the others do not endure, but vanish, into thin air.’ Beckett’s Dying Words is not a...

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Good enough for Jesus

Charlotte Brewer, 25 January 1990

The second edition of The State of the Language, published ten years on from the first, contains 53 essays and nine poems, each by a different author. The dust-jackets of both editions are almost...

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Negative Capability

Dan Jacobson, 24 November 1988

T.S. Eliot and Prejudice. Keats and Embarrassment. The parallel between the title of Christopher Ricks’s new book and that of his earlier study of Keats is not accidental. In each case he...

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Spruce

John Bayley, 2 June 1988

On 9 May 1933, A.E. Housman, Professor of Latin at Trinity College, Cambridge, and a scholar worshipped and hated for his meticulous standards and his appalling sarcasms on the unscholarly,...

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Tennyson’s Text

Danny Karlin, 12 November 1987

Writing in 1842 to his friend Alfred Domett, who had emigrated to New Zealand, Robert Browning enclosed ‘Tennyson’s new vol. and, alas, the old with it – that is what he calls...

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Beddoes’ Best Thing

C.H. Sisson, 20 September 1984

‘This is,’ as Professor Ricks says, in his rather baroque manner, ‘a gathering of essays, not a march of chapters’; each essay ‘attends to an aspect, feature, or...

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English Changing

Frank Kermode, 7 February 1980

That language changes, and that we cannot prevent it from doing so, is a fact known to all, though some of us can no more contemplate it with resignation than we can death and taxes. It is two...

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