Ben Campbell works at the LRB. Peter Campbell wrote more than three hundred pieces for the paper, and did the cover illustrations until his death in 2011.
In January, the editors of the London Review forwarded a request to me from Hermione Lee. She was hoping to use a photograph of Anita Brookner that had appeared on the cover of the LRB in 1982 as an illustration in her forthcoming biography of Brookner. The picture had been taken by my father, Peter Campbell, and I knew that the original, if it still existed, would be among thousands of...
The Q’s dangling tail is not a recent problem, but dates to the first page of the first substantial book printed using moveable type in Europe.
George Mackie is 100 years old today. I first met him a few years ago, at a party celebrating an earlier birthday. My father, Peter Campbell, was in his last year, and not feeling up to the train. He asked me to drive him and my mother to George’s house in Lincolnshire. Peter and George had been writing to one another since George had sent what he describes as a ‘fan letter’ praising the design of the London Review of Books. They had both had long careers as typographers and illustrators. If these jobs are done well, it’s often by being as unobtrusive as possible. As Beatrice Warde argued in ‘The Crystal Goblet, or Printing Should Be Invisible’, ‘almost all the virtues of the perfect wine-glass’ – ‘crystal clear’, ‘thin as a bubble’, ‘transparent’ – ‘have a parallel in typography.’ George thinks that as his eyesight deteriorated, his typography improved. Some of the lost clarity of vision can be repaired by making clearer pages.
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