Conversations with Myself
Michael Wood
- The Book of Disquiet by Fernando Pessoa, translated by Margaret Jull Costa
Serpent’s Tail, 413 pp, £9.99, August 2018, ISBN 978 1 78125 864 4
In 1968, when not too many people outside Portugal had heard of Fernando Pessoa, now regarded as one of the great Modernist poets, the linguist Roman Jakobson, in collaboration with Luciana Stegagno-Picchio, wrote an essay centring on Pessoa’s use of oxymorons. The piece was a complex formal study of a poem from Mensagem (1934), the single volume of verse Pessoa published in Portuguese in his lifetime. The complete poem, ‘Ulisses’, an elaboration in Pessoa’s best cryptic style of a myth that associates Ulysses with the founding of Lisbon, reads as follows (my translation, to borrow Jakobson’s expression for his own into French, is ‘literal in so far as possible’):
The full text of this book review is only available to subscribers of the London Review of Books.
You are not logged in
- If you have already registered please login here
- If you are using the site for the first time please register here
- If you would like access to the entire online archive subscribe here
- Institutions or university library users please login here
- Learn more about our institutional subscriptions here
[*] The translation, slightly modified, is by David Butler in Fernando Pessoa: Selected Poems (2004).
Vol. 40 No. 14 · 19 July 2018 » Michael Wood » Conversations with Myself
pages 7-8 | 2941 words
