The Strandir coast begins with a dirt track,
 the guttural end of tarmac in a waste 
 of bared rock, grass and scree,
 and empty coves where great white trunks 
 have floated from Siberia: they litter
 the vast and stony strands 
 like matches if seen from afar, but down
 among them now they block our way 
 in booms of perimeter barriers,
 logs pale as the long drowned, 
 stripped of bark to the white of washed-up
 sea-tangle, unburied thigh-bones. 
 Some have mortises in them, like masts
 ripped of their tenons from a stricken fleet; 
 all are dead straight, glittering with salt,
 rubbed smooth like something someone 
 wishes to be lovely. I don’t quite understand.
 Are they overspill from Russian lumber yards, 
 or the tide’s natural kill, taken out of trade
 and odyssey? Or a sign, possibly, 
 of some deeper injury, like precocious
 icemelt? Up here in the north 
 of Iceland, anyway, it all seems clear:
 the land is flat, tufted by grass and thrift, 
 buttressed by the odd outcrop, and stretches
 bare of trees to the horizon, which is always 
 the sea … no houses, cars, wires or people
 except for us two, feeling as though 
 we’ve finally come to some
 personal typology, some intimate edge 
 and that we’re almost at the start
 once more, shivering in mid-summer cold, 
 locked-on for good to a second life
 where all we do is stride through sedge 
and smell what we can eat on the wind.
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