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In Quarantine

Erin Maglaque

Après Brexit

Ferdinand Mount

Short Cuts: Springtime for Donald

David Bromwich

Meetings with their Gods

Claire Hall

‘Generation Left’

William Davies

At the North Miami Museum: Alice Paalen Rahon

Mary Ann Caws

Buchan’s Banter

Christopher Tayler

‘American Dirt’

Christian Lorentzen

Fiction and the Age of Lies

Colin Burrow

In Lahore

Tariq Ali


James Lasdun

Rereading Bowen

Tessa Hadley

At the Corner House

Rosemary Hill

William Gibson

Thomas Jones

Poem: ‘Murph & Me’

August Kleinzahler

The Stud File

Kevin Brazil

John Boorman’s Quiet Ending

David Thomson

In Shanghai: The West Bund Museum

John-Paul Stonard

Diary: The Deborah Orr I Knew

Jenny Turner

GelsenkirchenAnge Mlinko

At some point they got off at Gelsenkirchen,
which is on the same train line as Hanover,
and while there, had their portraits taken.
That’s all the sense I can make of this stopover
on their way to the coast, where the ships
were taking the faux Poles, the birchen people,
to whatever hospitable continent, on tips
circulating in the famine camps and steeple-
lands. Rotted frames, rusted nails, show their age:
the peeling backs, the glass glued now to them
like glass-topped coffins … the water damage
(my fault) that looks like ectoplasm.
Wherever they went they put icons side by side.
An embroidered linen cloth went over the top.
And so I place them, their calm looks borrowed
from those icons, and the photographer’s shop,
‘Im Lorenkamp’, the historical clue I worry
– needlessly – since knowledge lives in imitation,
as in the train window, dark as boots and caraway,
they composed the Mystery of Salvation.

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