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Robespierre’s Chamber Pot

Julian Barnes

Too early or too late?

David Runciman

Short Cuts: Five Victorian Marriages

Tom Crewe

Society as a Broadband Network

William Davies

Fifteen days from now

Thomas Jones

In 1348

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Whitehall Spookery

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Poem: ‘The Bannisters’

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Clarice Lispector

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At the Foundling Museum: ‘Portraying Pregnancy’

Joanne O’Leary

Gordon v. O’Connor

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Revism

Joe Dunthorne

Poem: ‘The Reach of the Sea’

Maureen N. McLane

Diary: Where water used to be

Rosa Lyster

Iguana DaysJohn Fuller
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We have seen this pebble before
Though three feet under. From year
To year it changes position.

The sea dwindles its contours
But not to my brief eye
In a mere decade of watching.

Stone keeps its secrets.
Its smoothness is a ruse
To content us with surface.

At the heart of stone is pure
Concentration, which life
Is foolishly in love with.

We believe that the stillness comes
From its exact possession
Of a truth that is lost to us.

*

In the Wiener Museum,
The iguana enacts
Such stillness, elbows braced

And leaning forward into
Thought, years of reflection
Shaping its motionless grin.

It reminds us of Sutherland’s Maugham,
Though there is not a trace
Of that creative arrogance.

Its skin has become stone,
The brain is a stone, finally
Empty of all anxiety.

To bask like this on stone,
Like stone: a century
Might pass before you move.

So we make our images:
The eternity of the pebble,
The monumental pose.

Out in the street sits Ferdinand
Raimund in the repose
Of his theatrical success.

The boulevards circle the city
As the mind deliberates upon
Its roaring purposes.

It is like the sea’s eager
Auditorium, between
The curtains of dusk and dawn

And Raimund is now marble,
Inattentive to applause, finger
Forever marking his chiselled page.

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