In the latest issue:

The Word from Wuhan

Wang Xiuying

‘The Man in the Red Coat’

Luc Sante

Is it OK to have a child?

Meehan Crist

Short Cuts: Ubu Unchained

August Kleinzahler

Bury that bastard

Nicole Flattery

Surplus Sons

Clare Bucknell

Oliver Lee Jackson

Adam Shatz

The Servant Problem

Alison Light

Poem: ‘1 x 30’

Anne Carson

The Old Bailey

Francis FitzGibbon

Jiggers, Rods and Barleycorns

James Vincent

More Marple than Poirot

J. Robert Lennon

On Rachael Allen

Matthew Bevis

Like a Ball of Fire

Andrew Cockburn

The Staffordshire Hoard

Tom Shippey

Blessed Isles

Mary Wellesley

At the Movies: ‘Jojo Rabbit’ and ‘A Hidden Life’

Michael Wood

Redeeming Winnie

Heribert Adam

Diary: A Friendly Fighting Force

Nick McDonell


In a cold October twilight, down towards
An estuary beach of mud and stones,
Three lifelong friends lurch and scramble over banks
Of red soil, fallen from cliffs which one afternoon,
Fifty years ago, broke and carried the whole of a church,
Its churchyard and half a road to the shores below.

They plunge headlong on crumbling cakes of earth
Where tipped-out garbage has mingled with the rubble,
And grass and painful gorse grown over it;
And sometimes they can’t keep upright, and have to slide
On their arses with their hands thrown out to grab
At the fragile vegetation. But finally

They arrive at the river, and slither on the stones
– Which turn out to be nothing more than heavy
Medallions of mud shaped by the lapping tides ...
The scum of the water nudges at their shoes,
And why did they come here, dangerously treading
The remains of fifty years? It is getting dark,

And they have to lug their bodies up again,
Up all that distance to the eroding edge
Of the cliff again, in unspoken competition,
With care to avoid the crevasses under the grass.
There is, and there has been, no kind of point or pleasure
For legs or lungs or spirits in any of this,

Though when they can breathe at the top, looking down across
The tracks by which they ascended, there is a pride
In their sweating faces. And yet, by themselves
With no one else at the end of the day to admire them,
Or even convert them to symbols, why did they want
To do it, they ask? – After all, it was getting dark.

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