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In Quarantine

Erin Maglaque

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Ferdinand Mount

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Meetings with their Gods

Claire Hall

‘Generation Left’

William Davies

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Mary Ann Caws

Buchan’s Banter

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Christian Lorentzen

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In Lahore

Tariq Ali

GOD HATES YOUR FEELINGS

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At the Corner House

Rosemary Hill

William Gibson

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Poem: ‘Murph & Me’

August Kleinzahler

The Stud File

Kevin Brazil

John Boorman’s Quiet Ending

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In Shanghai: The West Bund Museum

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Diary: The Deborah Orr I Knew

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A Royal ProspectSeamus Heaney
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On the day of their excursion up the Thames
To Hampden Court, they were nearly sunstruck.
She with her neck bared in a page-boy cut,
He all dreamy anyhow, wild for her
But pretending to be a thousand miles away,
Studying the boat’s wake in the water.
And here are the photographs. Head to one side,
In her sleeveless blouse, one bare shoulder high
And one arm loose, a bird with a drooped wing
Surprised in cover. He looks at you straight,
Assailable, enamoured, full of vows,
Young dauphin in the once-upon-a-time.
And next the lowish red-brick Tudor frontage.
No more photographs, however, now
We are present there as the smell of grass
And suntan oil, standing like their sixth sense
Behind them at the entrance to the maze,
Heartbroken for no reason, willing them
To dare it to the centre they are lost for ...
Instead, like reflections staggered through warped glass,
They rematerialise as in a black
And white old grainy newsreel, where their boat
Goes back spotlit across sunken bridges
And they alone are borne downstream unscathed,
Between mud banks where the wounded rave all night
At flameless blasts and echoless gunfire –
In all of which is ominously figured
Their free passage through historic times,
Like a silk train being brushed across a leper
Or the safe conduct of two royal favourites,
Unhindered and resented and bright-eyed.
So let them keep a tally of themselves
And be accountable when called upon
For although by every golden mean their lot
Is fair and due, pleas will be allowed
That test the grounds even of blamelessness.

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