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“... is no great exporter (France is without Marmite) and the ecologist is his brother, Teddy. Sam White, the Paris columnist of the Evening Standard, and a long-standing friend of Goldsmith, suggested to Richard Ingrams, as the heat died down, that the ‘services’ mistake was really a Wilson/Falkender joke. The ‘ecology’, according to ...”

“... situation, the journalist who has to send his copy in, day by day, is going to make mistakes. Sam White, who has re-published the pieces he wrote for the Standard over many years, is no exception. Thus, during the crisis of 1968, we find him stating as an absolute certainty that de Gaulle was about to resign, that the Government was falling ...”

“... caused the death of Alan’s young cousin and of the wife of the man he introduces as ‘my friend Sam Daniels’. Sam is black, and his family have had their roots in this landscape too. He is the lover of Alan’s sturdy Aunt Leila and intimately entangled in other ways with this family which owns the land on which his own ...”

“... The British media finally caught up with the existence of Sam Shepard some eighteen months ago. He had, after all, just been nominated for an Oscar for his performance as Chuck Yeager in the film about the first American astronauts, The Right Stuff. And news of his romance with Jessica Lange, whom he was then partnering in Country, had just broken ...”

“... a Manichean or Franco-ite anti-Communism to inform him, and Vorster and Verwoerd had the dream of white Christian destiny, and the Greek colonels the rather more insipid rhetoric of ‘Greece for Christian Greeks’, the decay of outright fascist systems was quite a rapid and complete one – much more rapid and complete than Nicos Poulantzas, for ...”

“... channelled a widespread perception of nature in chaos to write Frankenstein. In his new book, Sam White adds the mishaps and muddles of American colonisation to the rap sheet. Most early colonial ventures, he argues, failed because they were bedevilled by false assumptions, the chief one being that climate was similar along a particular global ...”

“... The sky over North Carolina was showing red the night Sam and Terry decided to leave for the South. The red clouds travelled to Smithfield from the western hills, the high Appalachians and the Blue Ridge Mountains and the Great Smokies. Sam Parham is 27 years old and weighs 260 pounds ...”

“... an effort to strike a better balance in terms of gender (four women, three men) and class. We have Sam, a wealthy banker; Caroline, the wife of a businessman; Janet, a teacher; Stella, a social worker; Helen, a youth worker and wife of an RAF officer; Len, a mechanic; and Bob, a long-distance lorry driver. (All names except Bob’s are pseudonyms.) But all are ...”

“... the late 1950s and the early 1970s, the ‘Underworld USA’ trilogy. The title is a tribute to Sam Fuller, who directed the film of the same name, but the initial impetus came – as Ellroy frequently acknowledges – from Libra, Don DeLillo’s Lee Harvey Oswald novel. American Tabloid, the first of the new sequence, runs from 1958 to the Kennedy ...”

“... for arousing hostility’, according to her biographer Hazel Rowley. Rowley describes Patrick White inviting Stead to lunch. White had championed her in her old age, loudly praised her work and supported her with cash transfers masked as prizes. Stead, at this point a heavy drinker, ‘arrived in a taxi, with a bag of ...”

“... One night​ in 1939, 16-year-old Sam Phillips jumped into a ‘big old Dodge’ with his older brother and a few friends a little after midnight and set out to drive from Florence, Alabama to Dallas, Texas to hear a celebrated First Baptist pastor deliver a sermon. At four or five a.m. the boys arrived in Memphis, where they found themselves in a black part of town called Beale Street ...”

“... public and private depravity, and shines a torch into the laundry room of Judaism. This is to take white slavery as seriously as it was taken in the years before far worse befell in Europe. But it was never easy to keep a solemn countenance in the Runyonesque world that greeted the transatlantic voyager – stuffed full of promises and stowed away in a coal ...”

“... There is a painter in Henry James’s Roderick Hudson called Sam Singleton: ‘He painted small landscapes, mainly in watercolours . . . improvement had come hand in hand with patient industry.’ His appearance (he is a small plain man), his regular working hours and his modest equanimity (he has a tendency to blush) are a foil to Roderick’s good looks and labile temperament ...”

“... from James Fenimore Cooper through Owen Wister, Zane Grey and John Ford to Sergio Leone and Sam Peckinpah. His subject is the well-known tautology that a man’s gotta do what a man’s gotta do. For Mitchell, the Western novel is essentially theatrical – a stage on which male identity is enacted, as well as a form of cinema avant la lettre. He ...”

“... of the southern Spain of Cocaine Nights, ‘one is aware of the exact volumes of these generally white apartments and hotel rooms’ – he also recognises the licence this anonymity provides: ‘The office workers and secretaries all behave like petty criminals vaguely on the run.’ Estrella de Mar and Eden-Olympia are very different developments: one is ...”