Underlinings
Ruth Scurr: A.S. Byatt, 10 August 2000
“... Antonia Byatt’s new novel opens with a lecture and a window. Phineas G. Nanson, listening to an exposition of Lacan’s theory of morcellement, looks up at the window and decides to quit academe. He thinks: ‘I must have things. I know a dirty window is an ancient, well-worn trope for intellectual dissatisfaction and scholarly blindness. The thing is, that the thing was also there ... ”