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“... R. George Thomas is a cautious man. His life of Edward Thomas (no relation) is ‘a portrait’ not ‘a biography’. Maybe this is just as well. The poet was a cautious man too. He was also a scrupulous one, and when we read in the first few pages that research for this book began ‘in the early 1960s’, we are encouraged to feel that author and subject are kindred spirits ...”

“... It would be quite possible to read about Edward Thomas and wonder how it was that so many people made such allowances for him. A man who had a house built for himself and then refused to live in it, he tormented his wife and children with his restlessness – he calculated he was never happy for more than a quarter of an hour in the day ...”

“... The publishers say that The Poetry of Edward Thomas is the first full-length study to deal exclusively with Thomas’s poetry (in Britain, they must mean). On the face of it, a six-decade gap of this sort shows a strange failure in critical husbandry. Yet it is not really so surprising ...”

“... The blurb on this excellent new and expanded edition of Edward Thomas’s Collected Poems tells you that Thomas was ‘one of the great English poets of the 20th century’, which is true, and that he was not really a ‘war poet’ but a lonely nature poet, which is slightly less true ...”

“... The structural ironies of Edward Thomas’s life still condition his reputation. Just as he made a late poetic start, so criticism has been slow to gather momentum. Even the recent spate of studies – by Michael Kirkham, Stan Smith, and the contributors to Jonathan Barker’s Art of Edward Thomas – seems more fortuitous than co-ordinated ...”

“... Edward Thomas​ believed that up to about the age of four what he called ‘a sweet darkness’ enfolded him ‘with a faint blessing’. It was, though, a darkness and the blessing was faint. ‘From an early age’, Jean Moorcroft Wilson writes, Thomas ‘felt cursed by a self-consciousness he believed the chief cause of his later problems and depression ...”

“... voyeuristic using-up of all their lives, gets there first but doesn’t always get it right.’ Z/R himself is no less sparing of the artist. In one of the alternative versions of Zuckerman’s and his brother’s lives in The Counterlife – the novel is very intricate – Henry encounters at his brother’s funeral a mysterious, bearded man who eulogises ...”

“... and eloquently, declared in his ‘Art poétique’ of 1874. The line must have lodged in Edward Thomas’s mind: in May 1914, some six months before his late efflorescence into verse at the age of 36, he wrote to Robert Frost of his longing to ‘wring all the necks of my rhetoric – the geese’. He was referring to the over-elaborate style of some of his ...”

“... the Way, ‘I doe not lik this.’ Across the start of Eastward Hoe, the very funny city comedy by George Chapman, Ben Jonson and John Marston, she wrote ‘prity one’, then crossed it out, substituting: ‘a resnabell prity one’.In her will Wolfreston bequeathed her books to her son Stanford, on the condition that ‘he shall carefully keepe them ...”

“... The third efficacious room is the long narrow gallery at the west end of the Saatchi once we’re a quarter of the way in (so it’s not quite a room, because the chosen Basquiats are dullish and Haring is redundant) and the works before us are those by Jeff Koons, Mike Kelley, Robert Gober, a series of Cindy Sherman photographs which include a ...”

“... would not see up her skirt. It was a gesture at once gracious and gruesome, and the verse that Sir Thomas Wyatt (probably) wrote on the occasion from the Tower of London is equally dark (‘circa Regna tonat’ means ‘it thunders around the throne’): The bell towre showid me suche syght That in my head stekys day and nyght There dyd I lerne out of A grate ...”

“... he expanded and elucidated Virgil, his translation left nothing out. Royle is right to mention Sir George MacKenzie of Rosehaugh as ‘one of the few intellectual giants of his day’ – ‘that noble wit of Scotland’, as Dryden called him – but he might have told us that his Aretina (1660) was the first novel by a Scotsman (and he mght have mentioned Sir ...”

“... Dr Farrer this morning and he thinks the fish probably died after spawning and wonders if they’re sea trout. Salmon have not been known to come up so far, as they can’t negotiate the waterfall and the weir before the lake. 21 January. Working in the BBC Studio at Maida Vale I don’t watch President Obama’s inauguration and am astonished when I see on ...”

“... We now have the sixth and final volume of the Lyttelton Hart-Davis Letters. George Lyttelton died on 1 May 1962, thus ending a correspondence which had begun in 1955; the first of the volumes edited by the survivor was published in 1978, the rest have appeared at intervals since. ‘For beginners’, as Rupert Hart-Davis puts it, mindful of those who have had to pick up the thread at some intermediate stage of the correspondence, the editor ‘had been taught by George at Eton, where he was an outstanding teacher and house-master ...”

“... Arcadia. Shakespeare complete. Raleigh’s History of the World. Bacon complete. The Bible. Sir Thomas Browne complete. Milton, including the prose works. Cowley, Waller and Denham. Dryden, including the prose works and the translations. Samuel Butler complete. Pope complete, including the Iliad and the Odyssey. Addison complete. Steele complete. Swift ...”