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“... Sartre has undoubtedly dominated his generation and had no successor.’ This is the verdict on his work in a school text-book, a critical study of post-war French literature, published in the 1970s. It is not for the sociologist to agree or disagree with this verdict; he has to take it for what it is, i.e. an indisputable social fact, and to endeavour to account for it, to make it intelligible ...”

“... he doesn’t appear to have objected to the idea of co-operating in this with the government of Pierre Laval, himself one of the most hardline figures in the Marshal’s four-year reign. Indeed, the idea seems at times to have aroused his enthusiasm, to judge by the private letters that he wrote in that year. (The refusal of the Mitterrandistes to allow ...”

“... Melville began writing Pierre, or The Ambiguities in August 1851; he had just turned 33 and was already the author of six books. The most recent of these, Moby-Dick, was about to be published, and reviews of it, largely negative in the United States and somewhat less so in England, would begin appearing while he was working on the new novel and negotiating the terms for its publication ...”

“... lived in Chelsea (New York). I hoped to find out about her relationship with her younger brother, Pierre. His presence pervaded her psychoanalytic notes, which I had examined, but I couldn’t see much trace of him in her art until the 1990s, more than thirty years after his death. The absence was striking. But something else was nagging at me. The catalogue ...”

“... prize-winners should not be blamed for prizes, any more than gnats for standing water, and D.B.C. Pierre’s novel is an engaging book, lively and sometimes scintillating. It is in some ways a remarkable first novel, and its achieved tone of adolescent desperation and rebellion suggests years of broken gestation. (Pierre is ...”

“... think much about it. Henry James is not the first writer to have been impressed yet baffled by Pierre Loti. Anatole France, who called him the ‘sublime illiterate’, believed that, of all their contemporaries, he was ‘the most sure to last’. To his peers Loti was a distinct oddity: an outsider who clung to his career as a Naval officer while living ...”

“... Les Quatre Cent Coups, about his thwarted childhood. The stubborn, hurt, exploring eyes of Jean-Pierre Léaud as ‘Antoine Doinel’, Truffaut’s alter ego, enlist us from the start in his rebellion. But then Truffaut takes an enormous risk. He makes four more films about ‘Doinel’, still using Léaud; and the appealing tough kid from a miserable ...”

“... Balthus first attracted notice early in 1934 with a small exhibition at the Galerie Pierre in Paris. Several of the works he showed – The Street, The Window and Alice – seem as startling now as they must have done then. This Catalogue raisonné, published not long before the artist’s death earlier this year, enables us to determine the unremarkable ingredients that so surprisingly and so explosively combined to make these paintings possible ...”

“... After Pierre Bonnard The woman’s cupboard, she’s stocked with jellies, chutneys, pickled limes and bottles of blue-skinned plums that just to look at is to taste their sweet green flesh. Inset in the wall, the inside’s painted the red of petals – poppies, geraniums – of dream blood. When she opens the white door it’s like opening herself ...”

“... chez nous, en Aquitaine, en Rhône – Alpes, en Bretagne, en Alsace). Within a few months Pierre Mauroy, a more emotional and traditional socialist, determined to attack unemployment and to revive those areas of the country which were economically depressed (especially around his own fief of Lille), was replaced as prime minister by the young and ...”

“... unsuccessful adventure of the Rassemblement du Peuple Français, men such as Geoffroy de Courcel, Pierre Lefranc, Jacques Foccart or François Flohic. The Fifth Republic was not to be a resuscitation of the headquarters of Carlton Gardens or the Rue de Solférino, however. De Gaulle surrounded himself with what were for him new men, some of them products of ...”

“... mentioned have matured into a style informed by a concept of modal tonality), and from Messiaen to Pierre Boulez – whose orchestral Rituel in memoriam Maderna (1974) rescinds ‘total serialism’ and plumps (as Dominique Jameux explains) for a seven-note mode. To set beside this image of ‘Fauré the progressive’ (to adapt another Schoenbergian ...”

“... kind of positivist and exclusively political history. Almost a century later, the seven volumes of Pierre Nora’s Lieux de mémoire, of which this is the latest to be translated, stand comparison with Lavisse at least in ambition and scope. Sumptuously produced and copiously illustrated, they contain 130 articles by the most distinguished contemporary ...”

“... half of Yves St Laurent the company, is the dynamic and powerful French business entrepreneur, Pierre Bergé. Nearly half of this biography is therefore rightly devoted to the life, struggles, feelings, fantasies, achievements and reputation of Bergé. The creation of YSL, the fusion of man and company, could not have occurred and still could not survive ...”

“... international standards of human rights. The conference was opened by the prime minister, Michele Pierre-Louis, who was appointed despite a scurrilous campaign by opposition forces, who argued that appointing a lesbian to such a prominent position was a violation of Haitian manhood. Pierre-Louis had been the director of an ...”