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“... Roberto Bolaño likes to prolong his jokes well past the moment when even the slowest reader has got the point. Nazi Literature in the Americas, for example, looks like a single gag – the brief deadpan biography of an imaginary Fascist or near Fascist writer – multiplied by 30-odd cases over 200 pages. But then it dawns on even the slowest reader that what looked like the point wasn’t the point; and that the jokes were not only jokes ...”

“... in The Savage Detectives he doesn’t overdo the local colour, which his superb translator Natasha Wimmer in any case wisely ignores. The narrators are individuated above all through our sense of the helpless particularity of their fates; and to the extent that they sound alike, this is explained and excused by their common situation (testifying ...”