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Homage to Ezra Pound

C.K. Stead, 19 March 1981

The Poetic Achievement of Ezra Pound 
by Michael Alexander.
Faber, 247 pp., £7.95, April 1979, 0 571 10560 2
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Ezra Pound and the Pisan Cantos 
by Anthony Woodward.
Routledge, 128 pp., £7.95, April 1980, 0 7100 0372 2
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Ezra Pound and the Cantos: A Record of Struggle 
by Wendy Stallard Flory.
Yale, 321 pp., £12.60, July 1980, 0 300 02392 8
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Ezra Pound and His World 
by Peter Ackroyd.
Thames and Hudson, 127 pp., £5.95, February 1981, 0 500 13069 8
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End to Torment: A Memoir of Ezra Pound with Poems from Ezra Pound’s H.D. Book 
edited by Norman Holmes Pearson and Michael King.
Carcanet, 84 pp., £2.95, February 1980, 0 85635 318 3
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... panel of his fellow poets (including T.S. Eliot, Robert Lowell, W.H. Auden and Allen Tate) awarded Ezra Pound the Bollingen Prize for The Pisan Cantos there was an immediate and angry public debate. The reaction is not surprising and might have been worse had the texts of Pound’s wartime broadcasts over Rome Radio ...

Ezra Pound and Evil

Jerome McGann, 7 July 1988

The Genealogy of Demons: Anti-Semitism, Fascism and the Myths of Ezra Pound 
by Robert Casillo.
Northwestern, 463 pp., $34.95, April 1988, 0 8101 0710 4
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A Serious Character: The Life of Ezra Pound 
by Humphrey Carpenter.
Faber, 1005 pp., £20, May 1988, 0 571 14786 0
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... No English-speaking poet of this century has been the subject of as much biographical scrutiny as Ezra Pound. As in the case of Byron, Pound’s literary works and his personal life were deeply entwined from the first, and this condition of his poetry’s existence raises – as Byron’s work has always raised – serious problems for our ordinary understanding of what poems do and how they are to be read ...

Pound and the Perfect Lady

Donald Davie, 19 September 1985

Pound’s Artists: Ezra Pound and the Visual Arts in London, Paris and Italy 
by Richard Humphreys.
Tate Gallery, 176 pp., £12.95, June 1985, 0 946590 28 1
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Ezra Pound and Dorothy Shakespear: Their Letters 1909-1914 
edited by Omar Pound and A. Walton Litz.
Faber, 399 pp., £25, January 1985, 0 571 13480 7
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... among others, an exhibition of paintings, sculptures, photographs and printed material bearing on Pound’s interests in ‘the visual arts’ was mounted for the Cambridge Poetry Festival on 14 June, and could be seen in Cambridge’s not sufficiently renowned Kettle’s Yard Gallery until 4 August; it will now be at the Tate from 11 September to 10 ...

Christ’s Teeth

C.K. Stead, 10 October 1991

Studies in the Ezra Pound 
by Donald Davie.
Carcanet, 388 pp., £25, April 1991, 0 85635 850 9
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Poems 1963-1983 
by Michael Longley.
Secker, 205 pp., £8, August 1991, 0 436 25676 2
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Under the Circumstances 
by D.J. Enright.
Oxford, 64 pp., £5.99, May 1991, 0 19 282834 7
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In the Echoey Tunnel 
by Christopher Reid.
Faber, 73 pp., £12.99, September 1991, 0 571 16252 5
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A Cold Coming 
by Tony Harrison.
Bloodaxe, 16 pp., £2.95, July 1991, 1 85224 186 1
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... of the next, called “Thrones”.’ This is Donald Davie in his introduction to Studies in Ezra Pound, offered as Volume IV of his Collected Works, and including the whole of Ezra Pound: Poet as Sculptor (1964), followed by a single essay from 1972, then ‘Six Notes on ...

He was the man

Robert Crawford: Ezra Pound, 30 June 2016

Ezra Pound: Poet: A Portrait of the Man and his Work: Vol. III: The Tragic Years, 1939-72 
by A. David Moody.
Oxford, 654 pp., £30, September 2015, 978 0 19 870436 2
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... Can anyone​ read a biography of Ezra Pound without feeling unsettled? The persistent anti-Semitism; the eager support for Mussolini; the pain and waste of the incarceration, first in a US military detention centre resembling Guantánamo, then in a Washington facility for the insane; the lasting damage done to people in his family circle; the powerful egocentrism at the heart of all this: the most dire aspects of Pound’s history trouble the reader ...

Pioneers

Christopher Reid, 3 September 1981

Some Americans: A Personal Record 
by Charles Tomlinson.
California, 134 pp., £6.50, June 1981, 0 520 04037 6
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... only when age had overtaken them.’ The innovators to whom he refers are those American poets – Ezra Pound, Marianne Moore, William Carlos Williams and others – whose work and moral example have been of importance to his own growth as a writer. The sentence quoted above, with its tinge of elegy and irony, occurs in the fourth and final chapter of ...

A Storm in His Luggage

C.K. Stead, 26 January 1995

Ezra Pound and James Laughlin: Selected Letters 
edited by David Gordon.
Norton, 313 pp., £23, June 1994, 0 393 03540 9
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‘Agenda’: An Anthology. The First Four Decades 
edited by William Cookson.
Carcanet, 418 pp., £25, May 1994, 1 85754 069 7
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... In a letter dated 22 January 1934 to his protégé James Laughlin, Pound makes passing reference to R.P. Blackmur, who had written a long unflattering essay, ‘Masks of Ezra Pound’, in an issue of the periodical Hound and Horn (which Pound renamed Bitch – Bugle ...

Short Cuts

Jeremy Harding: Ezra Pound in Italy, 23 October 2008

... bay is good, Rapallo has surely lost the charms it held for the celebrities of the past, including Ezra Pound and his friends. Drifting around it a few years ago, Roy Foster (LRB, 30 November 2000) thought Rapallo an ‘inescapably bourgeois’ place. He could find nothing to commemorate ‘the embarrassing Pound’ on ...

Amigos

Christopher Ricks, 2 August 1984

The Faber Book of Parodies 
edited by Simon Brett.
Faber, 383 pp., £8.95, May 1984, 0 571 13125 5
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Lilibet: An Account in Verse of the Early Years of the Queen until the Time of her Accession 
by Her Majesty.
Blond and Briggs, 95 pp., £6.95, May 1984, 0 85634 157 6
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... identifying of two main types of parody (of style and of form!) isn’t even kept faith with. Ezra Pound’s poem ‘Mr Housman’s Message’ (unlike Housman’s ‘Fragment of a Greek Tragedy’, which finds no place here) is not a parody: the point is not that it doesn’t succeed in hitting off Housman’s style or form but that it doesn’t ...

Will to Literature

David Trotter: Modernism plc, 13 May 1999

Institutions of Modernism: Literary Elites and Public Culture 
by Lawrence Rainey.
Yale, 227 pp., £16.95, January 1999, 0 300 07050 0
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Modernism, Technology and the Body: A Cultural Study 
by Tim Armstrong.
Cambridge, 309 pp., £14.95, March 1998, 0 521 59997 0
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Body Ascendant: Modernism and the Physical Imperative 
by Harold Segel.
Johns Hopkins, 282 pp., £30, September 1998, 0 8018 5821 6
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Solid Objects: Modernism and the Test of Production 
by Douglas Mao.
Princeton, 308 pp., £32.50, November 1998, 0 691 05926 8
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... in the period between Richard Ellmann’s 1959 biography of Joyce and Hugh Kenner’s The Pound Era (1971). Kenner’s book, based in part on interviews with Pound, presents itself as a parting glimpse of an age of demi-gods. It marvellously exhibits, by a vivid survey of encounters, pilgrimages and epiphanies, the ...

Between centuries

Frank Kermode, 11 January 1990

In the Nineties 
by John Stokes.
Harvester, 199 pp., £17.50, September 1989, 0 7450 0604 3
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Olivia Shakespear and W.B. Yeats 
by John Harwood.
Macmillan, 218 pp., £35, January 1990, 0 333 42518 9
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Letters to the New Island 
by W.B. Yeats, edited by George Bornstein and Hugh Witemeyer.
Macmillan, 200 pp., £45, November 1989, 0 333 43878 7
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The Letters of Ezra Pound to Margaret Anderson: The ‘Little Review’ Correspondence 
edited by Thomas Scott, Melvin Friedman and Jackson Bryer.
Faber, 368 pp., £30, July 1989, 0 571 14099 8
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Ezra Pound and Margaret Cravens: A Tragic Friendship, 1910-1912 
edited by Omar Pound and Robert Spoo.
Duke, 181 pp., £20.75, January 1989, 0 8223 0862 2
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Postcards from the End of the World: An Investigation into the Mind of Fin-de-Siècle Vienna 
by Larry Wolff.
Collins, 275 pp., £15, January 1990, 0 00 215171 5
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Rites of Spring: The Great War and the Birth of the Modern Age 
by Modris Eksteins.
Bantam, 396 pp., £14.95, September 1989, 0 593 01862 1
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Esprit de Corps: The Art of the Parisian Avant-Garde and the First World War, 1916-1925 
by Kenneth Silver.
Thames and Hudson, 506 pp., £32, October 1989, 0 500 23567 8
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... 1917, having given up his pursuit of Iseult Gonne – who, incidentally, had lost her virginity to Ezra Pound in Woburn Buildings. Perhaps the LCC plaque commemorating Yeats’s residence there might have been worded more interestingly. Meanwhile Pound had married Olivia’s daughter Dorothy, after much opposition from ...

Words washed clean

David Trotter, 5 December 1991

From Puritanism to Postmodernism: A History of American Literature 
by Richard Ruland and Malcolm Bradbury.
Routledge, 381 pp., £35, August 1991, 0 415 01341 0
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... When Wyndham Lewis described the Men of 1914 as a ‘youth racket’ invented by Ezra Pound, he presumably didn’t mean to be complimentary. Pound, however, might be said to have had the last laugh, since it is now customary to regard the whole of American literature as a gigantic youth racket ...

Confounding the Apes

P.N. Furbank, 22 August 1996

The Divine Comedy 
by Dante Alighieri, translated by Allen Mandelbaum.
Everyman, 798 pp., £14.99, May 1995, 1 85715 183 6
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The Inferno of Dante. A New Verse Translation 
by Robert Pinsky, illustrated by Michael Mazur.
Dent, 427 pp., £20, February 1996, 9780460877640
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Dante’s Hell 
translated by Steve Ellis.
Chatto, 208 pp., £15.99, March 1994, 0 7011 6127 2
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... translation, leaving aside the genre known as ‘Imitation’, in which poets like Samuel Johnson, Ezra Pound and Robert Lowell have done such marvellous things. A verse translation may aim to be an independent modern work in its own right. Or, I ought rather to say, this is what some famous and admired translations have in fact been. If you took Pope ...

Gang of Four

Christopher Driver, 22 December 1983

The String Quartet: A History 
by Paul Griffiths.
Thames and Hudson, 240 pp., £12, October 1983, 9780500013113
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Gyorgy Ligeti 
by Paul Griffiths.
Robson, 128 pp., £8.95, October 1983, 0 86051 240 1
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... comments on quartet performance are to be found in the music criticism of George Bernard Shaw and Ezra Pound, to name two writers whose main preoccupations lay elsewhere. But in our own day almost all composition, and much performance, is virtually invulnerable to non-specialist critique. Paul Griffiths, who has already reached the C major of this life ...

Saved for Jazz

David Trotter, 5 October 1995

Modernist Quartet 
by Frank Lentricchia.
Cambridge, 305 pp., £35, November 1994, 0 521 47004 8
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... curious aspects to Frank Lentricchia’s study of four Modernist poets: T.S. Eliot, Robert Frost, Ezra Pound and Wallace Stevens. For a start, it’s a book about poets which doesn’t seem much interested in poems. Lentricchia has written a lengthy chapter on each member of his quartet. Yet Eliot is represented by ‘The Love Song of J. Alfred ...

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