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Pound and the Perfect Lady

Donald Davie, 19 September 1985

Pound’s Artists: Ezra Pound and the Visual Arts in London, Paris and Italy 
by Richard Humphreys.
Tate Gallery, 176 pp., £12.95, June 1985, 0 946590 28 1
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Ezra Pound and Dorothy Shakespear: Their Letters 1909-1914 
edited by Omar Pound and A. Walton Litz.
Faber, 399 pp., £25, January 1985, 0 571 13480 7
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... Thanks to Clive Wilmer among others, an exhibition of paintings, sculptures, photographs and printed material bearing on Pound’s interests in ‘the visual arts’ was mounted for the Cambridge Poetry Festival on 14 June, and could be seen in Cambridge’s not sufficiently renowned Kettle’s Yard Gallery until 4 August; it will now be at the Tate from 11 September to 10 November ...

Chicory and Daisies

Stephanie Burt: William Carlos Williams, 7 March 2002

Collected Poems: Volume I 
by William Carlos Williams, edited by A. Walton Litz and Christopher MacGowan.
Carcanet, 579 pp., £12.95, December 2000, 1 85754 522 2
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Collected Poems: Volume II 
by William Carlos Williams, edited by A. Walton Litz and Christopher MacGowan.
Carcanet, 553 pp., £12.95, December 2000, 1 85754 523 0
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... the grandfather (for good or ill) of the Beats; Williams the comical minimalist, who proved that a note on the fridge could be read as a poem; Williams the Modernist, a foil for experimental painters, or for his difficult friend Ezra Pound. More recently, we have had Williams the ...
... another and by their warfare ensure the continunity of life. I doubt, though, that the present is a time for schools or manifestos, whether grandly or modestly styled. ‘Acmeists’, ‘lmagists’, ‘Parnassiens’, ‘Symbolists’, ‘Projectivists’ – these days the words ring out like great ancient bells, in ...

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