Search Results

“... the final two, the language of psychotherapy starts to play a crucial role. Though the jargon of self-help is mocked throughout, At Last is explicitly about ‘closure’. It turns on the realisation that Eleanor had not just been ‘the co-victim of David’s tempestuous malice’. The deeper truth, which Patrick can only now bear to contemplate, is that ...”

“... the sly.’) But of course he’s also gesturing towards his own role as a projection of the Hemon self, a self that’s been doubled, reimagined and refracted in four books of fiction so far without straying too wildly from the same biographical outline. Hemon – ‘pronounced as Haemon’, one of his avatars says – was ...”

“... similar diary of his Venetian stay seems to have been lost); and a riveting sequence of self-portraits in paint and in pen and ink, including drawings of his left hand and a full-length depiction of himself in the nude. He also wrote several poems of middling quality and copious notes and texts on art theory. Near the end of his life he published ...”

“... an irritable “What? What?” in reply.’ Lodge has set himself a difficult task with this self-portrait of an ordinary man who’s past his prime. In his earlier novels, he personified types or ideas and let the different subjectivities fight it out, with a bit of cheerful tweaking from him. Here, by contrast, he confines himself to one, unrelativised ...”

“... of hunters and filled many domestic pots. Hanna picks up strongly on the couple’s growing self-confidence, which was shown in the way they coped with the altered circumstances of their lives. Paul was obviously better placed to widen his horizons through his close contact with men from other backgrounds and other parts of France. He learned how to ...”

“... which the widening horizons of literature make possible, a desire for desire. Because of its self-reflexiveness, however, the true subject and feeling of his work is sometimes obscured. Most of the early writing about Mahon emphasised how glamorously well-travelled the poems were. Night-Crossing and Lives, his first collections, with their versions and ...”

“... half the length of the epic Clara, and a rich, flamboyant, mannered book, written with condensed, self-conscious stylishness, dazzling with images and sensations and violence, and daring you to resist it from its first outrageous sentence: ‘Francisco Solano López put his penis inside Eliza Lynch on a lovely spring day in Paris, in 1854.’ Clara is ...”

“... refined. He is a spectator, reluctant to obtrude on the world he describes with any importunate self-concern. His ‘way of seeing’ is supposed to emerge through description; ‘the object infused with the subject’ will refract the speaker’s feeling. But when he looks on the things of the world, Doty has, for the most part, only one ...”

“... authorised the action, had it been asked. Even in the absence of a UN resolution, the right of self-defence allows a country to make a necessary and proportionate response. The US suffered a devastating attack, Osama bin Laden claimed responsibility, the Taliban endorsed his acts and refused to surrender him. Only two countries opposed the ...”

“... but in a painful, deeply embarrassing way. One of the white girls approaches Arnetta, ‘full of self-importance’, saying: ‘See, I’m a Brownie.’ The emotional impact is intense enough for the reader to accept what might seem a rather obvious lesson: white girls can be Brownies too. On the bus home, some of the Brownies try to hang onto their status ...”

“... What Plath is really doing, she explains, is writing a poem in which phrases that look like self-descriptions (‘I/smile, cross-legged,/Enigmatical’) generate patterns of sound and form that ‘feed into’ new images. Plath notices she is constructing her poem in this way and inserts phrases like ‘shifting my clarities’ that let the reader know ...”

“... of Castiglione, who obsessively posed for the photographer Pierson in a startling range of self-chosen costumes and attitudes. In an image reminiscent of Sherman’s Untitled Film Stills, Fini poses melodramatically in the shadowy recesses of a bed with her black-stockinged legs prominently on display; in another, she emerges confrontationally from a ...”

“... sources follow their own varied agendas, from Seneca, who links Maecenas’ lack of stylistic self-control in his writings with his reputation for loose morals, to Martial and Juvenal, for whom he represents a lost, more privileged age.Philologists have diligently collected the fragments of Maecenas’ own work, but these are just as hard to be sure ...”

“... a governing metaphor for omniscient narration. Plot becomes a tussle between individuals’ self-command and the planetary formations that determine essential facts about their nature: what look like deeply improbable, chance happenings – a bullet wound springing up out of nowhere on a ghostly figure’s chest; an illiterate woman suddenly being able ...”

“... of demonstrative argument. This mathematical model requires an argument to begin from certain self-evident principles and assumptions and to proceed by deductive arguments which transmit the certainty of the premises to the conclusions; Socratic cross-examination evidently cannot meet these standards. If Vlastos is right, Plato’s mathematical model for ...”