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Into the Dark

Kathleen Jamie: A Winter Solstice, 18 December 2003

... their arm and said: ‘Listen!’ I’m glad I was alone, because, so help me, it was only Elton John. The music was so nearly drowned out by the ship’s engines that I’d just caught the top notes. I bent down, stuck my ear to the speaker and yes, it was Elton John, singing, of all things: ‘Don’t let the sun go down ...

Terror on the Vineyard

Terry Castle: Boss Ladies, Watch Out!, 15 April 1999

A Likely Story: One Summer with Lillian Hellman 
by Rosemary Mahoney.
Doubleday, 273 pp., $23.95, November 1998, 9780385479318
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... violence – has long been a classic theme. Charlotte Brontë’s excoriating portrait of Mrs Reed in Jane Eyre is undoubtedly an attack on some detested female oppressor of her youth: Brontë’s description fairly seethes with murderous venom. Edith Wharton heroines, steely girls on the make such as Lily Bart or Undine Spragg, routinely anathematise the ...

The Last Witness

Colm Tóibín: The career of James Baldwin, 20 September 2001

... or was it, as the writer Hilton Als put it, ‘a high-faggot style’, or did it originate, as John Edgar Wideman claimed, from a mixture of the King James Bible and African American speech? Was it full of the clarity, eloquence and intelligence that Chinua Achebe suggested? And was Baldwin’s involvement with the Civil Rights Movement a cautionary tale ...

Things go kerflooey

Ruby Hamilton: David Lynch’s Gee-Wizardry, 11 September 2025

David Lynch’s American Dreamscape: Music, Literature, Cinema 
by Mike Miley.
Bloomsbury, 272 pp., £21.99, January, 979 8 7651 0289 3
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... movie scene, who had also popularised Alejandro Jodorowsky’s ‘acid Western’ El Topo and John Waters’s ‘filth epic’ Pink Flamingos. Waters – a direct contemporary but no eagle scout – was another early Lynchhead. Eraserhead isn’t what we now associate with 1970s ‘cult’ cinema – it isn’t camp or explicitly countercultural and it ...

Oh, you clever people!

Tom Crewe: The Unrelenting Bensons, 20 April 2017

A Very Queer Family Indeed: Sex, Religion and the Bensons in Victorian Britain 
by Simon Goldhill.
Chicago, 337 pp., £24.50, October 2016, 978 0 226 39378 0
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... of the muddled centre, as Goldhill wants us to see him, counterposed against sexual radicals like John Addington Symonds and Edward Carpenter: it is like using Greta Garbo to make a point about the excesses of Oliver Reed. (Here, as elsewhere, there is an unresolvable tension between the idea of queerness as ...

Swoonatra

Ian Penman, 2 July 2015

Sinatra: London 
Universal, 3 CDs and 1 DVD, £40, November 2014Show More
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... Ella Mae Morse doing ‘Cow Cow Boogie’, and, in his Hollywood debut, a slender young reed called Frank Sinatra. Even at the time, Sinatra’s cameo didn’t cause much of a stir, and Reveille doesn’t feature in many official filmographies; but it did mark, in its modest way, the inception of Sinatra’s solo career. He had just left the Tommy ...

Under the Sign of the Interim

Perry Anderson, 4 January 1996

The European Rescue of the Nation-State 
by Alan Milward.
Routledge, 506 pp., £17.99, May 1994, 0 415 11133 1
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The Frontier of National Sovereignty: History and Theory 1945-1992 
by Alan Milward.
Routledge, 248 pp., £14.99, September 1994, 0 415 11784 4
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Jean Monnet: The First Statesman of Interdependence 
by François Duchêne.
Norton, 278 pp., $35, January 1995, 0 393 03497 6
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... the war in Algeria, as it had the campaigns in Indochina, was sabotaging it. Britain was a broken reed. For the last Governments of the Fourth Republic, still committed to the French empire in Africa and planning for a French bomb, European unity alone could furnish the necessary counterweight to Washington. Six months later, the Treaty of Rome was signed by ...

Do Anything, Say Anything

James Meek: On the New TV, 4 January 2024

Pandora’s Box: The Greed, Lust and Lies that Broke Television 
by Peter Biskind.
Allen Lane, 383 pp., £25, November, 978 0 241 44390 3
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... the cinematography or the design.It was the beginning of the off-network TV tsunami that John Landgraf, the head of FX, calls peak TV. By 2022, he estimates that there were 559 scripted original shows on American television. HBO followed The Sopranos with Curb Your Enthusiasm, Six Feet Under, The Wire, Deadwood, Entourage, True Blood, Boardwalk ...

Wham Bang, Teatime

Ian Penman: Bowie, 5 January 2017

The Age of Bowie: How David Bowie Made a World of Difference 
by Paul Morley.
Simon & Schuster, 484 pp., £20, July 2016, 978 1 4711 4808 8
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On Bowie 
by Rob Sheffield.
Headline, 197 pp., £14.99, June 2016, 978 1 4722 4104 7
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On Bowie 
by Simon Critchley.
Serpent’s Tail, 207 pp., £6.99, April 2016, 978 1 78125 745 6
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Shock and Awe: Glam Rock and Its Legacy 
by Simon Reynolds.
Faber, 704 pp., £25, October 2016, 978 0 571 30171 3
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... Prix of the fastest, whitest drugs available. He brushed aside compatriots/competitors like Elton John and called Mick Jagger the ‘sort of harmless bourgeois kind of evil one can accept with a shrug’. If pushed, this apprentice warlock could also recite Derek and Clive’s ‘The Worst Job I Ever Had’ by heart and generally came on like a twisted ...

If It Weren’t for Charlotte

Alice Spawls: The Brontës, 16 November 2017

... emergence … is shattered’. Barker starts with Patrick walking up to the gates of St John’s College, Cambridge. This, we say to ourselves, is where it all began.Harman prefaces her biography with a scene in the present tense. It is, she tells us, ‘1 September 1843 and a 27-year-old Englishwoman is alone at the Pensionnat Héger in ...

Underwater Living

James Meek, 5 January 2023

... pigeons, collared doves, wrens, blackbirds, blue tits, great tits, carrion crows, starlings and reed buntings; they found four badger setts, without badgers in residence, which they recommended sealing off. No evidence of bat activity, or of great crested newts. Water voles would be translocated. Chestnut said a public consultation it carried out in late ...

Love in a Dark Time

Colm Tóibín: Oscar Wilde, 19 April 2001

The Complete Letters of Oscar Wilde 
edited by Merlin Holland and Rupert Hart-Davis.
Fourth Estate, 1270 pp., £35, November 2000, 1 85702 781 7
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... against the blackness of the night.’ When Wilde called him over, he sat down and began to play a reed flute. ‘He had an olive complexion; I admired the way his fingers held his flute, the slimness of his boyish figure, the slenderness of the bare legs that protruded from his billowing white shorts, one of the legs folding back and resting on the other ...

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