At the Queen’s Gallery, Edinburgh
Tom Crewe: Roger Fenton, 16 November 2017
“... 26 November) and the other not. The first, from 1854, seems conventional: we see a Victorian gentleman – hair parted, beard trimmed to cover only the underside of his face, leaving the strong chin to fight its own battles – seated in a chair, his arm resting on a covered table. But then we notice the strange two-tone geometry of his outfit, the way ... ”