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“... for starting the fighting. Different rules regulate the resort to armed force. The sceptic may question whether these rules are of any practical significance. In fact, they derive from a moral recognition that war might legitimate some killings but not necessarily every killing. Even in war, it is possible to avoid inflicting unnecessary suffering. In ...”

“... There is no doubt that language offers irresistible ground on which class and generational battle may be waged in tones of measured common sense tuned to the innocently offended ear-drum. Of Professor Brian Cox much was hoped. His Black Paper past promised drills and canons, rote and rigour. The report’s chapter on literature teaching is dull: but the ...”

“... why no Kipling? The ‘authorities’ support one another, often repetitiously (thus one account may reappear in slightly different versions). Nothing objectionable in that: we’re not looking for ‘scientific’ evidence, although Williams uses it, along with evidence of other kinds. The two parts are as intimately complementary as verse and gloss in The ...”

“... is what you really meant; and penalise and punish the author accordingly. But elsewhere the censor may not bother to strip away the conventions; he may not even recognise that they exist. Art for art’s sake will mean nothing to him. The Satanic Verses may be a great work of art, the ...”

“... the country’ – that’s to say, with two fictionalisations, at quite different levels, of what may or may not have happened. Her enquiry was eventually modified to ‘How does the standard image of wartime London match with memory and experience?’ This means that she has to consider the loss of confidence, by ...”

“... Reagan’s impenetrable fatuousness – the question that precipitated Morris’s block. It may answer the question: how do I spin my non-findings into a big book that will prevent me from having to give back my three million dollar advance to Random House? It may also answer the question: how do I vent my festering ...”

“... of deft twists, however, the novel broaches this conflict only to deconstruct it. Helen and Hugh may buy their wine at a posh south Dublin supermarket, but Hugh speaks Irish to the children and Helen is sullenly nostalgic for her rural Wexford home. Ironically, it is her thoroughly modern mother, a computer specialist who favours avant-garde living ...”

“... while accepting its possible solipsistic and error-laden basis. For those accidents, that energy, may well issue from a personality that can’t be taken on trust. Indeed, as we shall see, Hill says as much: although ‘one’ would make the claim for a poet’s helplessness before language, something prohibits the claim from sticking, since that would ...”

“... are to be obtained. There you are sitting in France, and you suddenly feel that something strange may be about to happen, that there might be texts written half-way between France and Britain – all the more so as the British are one degree of consciousness ahead of the French. France’s own isolation and lack of curiosity are themselves notorious, and ...”

“... clear distinguishing attributes. Professor Cox-Rearick even speculates that the missing Mercury may be subsumed into the fully-clothed figure she identifies as Venus, on the grounds that Mercury, in an astrological context, is sometimes represented as a hermaphrodite, and ‘the unusual view of the goddess from the rear, which recalls the traditional ...”

“... radicalism works well on paintings which we interpret most immediately as rural idylls but which may also be felt to emerge ‘from a world of social and economic relations that are anything but idyllic’. A painting which seems to represent harmony between man and nature, and, more specifically, harmony between a landowner and the workers on that ...”

“... from later historians the descriptions ‘wildly unhistorical’ and ‘wildly unstatistical’, may by 1843 already have begun to draw criticism. Its nine volumes of evidence selected to suit a party line must have taken some digesting even in a period which took Blue Books as literature very seriously indeed. In any case, the New English Poor Law which it ...”

“... for the alliance of born-again social democrats and ancient political re-treads among whom he may be doomed to reside. He deserves better, and so does the book. It is written by a socialist, and for socialists. This is its first fascination. The sage of Morgan Grenfell will wince over its strictures on public expenditure and the role of government ...”

“... is conceivable that something irreversible is taking place. Today’s new wisdom about publishing may become as enduring, familiar and dispiriting as the truism of the decline of British cinema. That decline had much to do with television. Book publishing has seemed, hitherto, robust on this flank. The industry prospered in the 1960s, when television was ...”

“... offered by other scholars. Even if we allow for the restricted use of footnotes, which may not be the author’s fault, this seems to me unfortunate and unwarranted. The prime objects of his contempt are ‘abstruse iconographical interpretations’, and although most art-historians today share – or should share – a certain disquiet about the ...”