Bourgeois Reveries

Julian Bell: Farmer Eliot, 3 February 2011

Romantic Moderns: English Writers, Artists and the Imagination from Virginia Woolf to John Piper 
by Alexandra Harris.
Thames and Hudson, 320 pp., £19.95, October 2010, 978 0 500 25171 3
Show More
Show More
... fascination with how the past conceived its own past. How did 1930s sensibilities, from John Betjeman to Cecil Beaton, engage with Georgian and Victorian architecture? What of the interwar flirtation with the Baroque, spoken for by Sacheverell Sitwell, or the period’s notions of Neolithic Britain? (Massingham, a long-out-of-print ...

A, E♭, C, B

Paul Driver: Robert Schumann, 21 February 2008

Robert Schumann: Life and Death of a Musician 
by John Worthen.
Yale, 496 pp., £25, July 2007, 978 0 300 11160 6
Show More
The Cambridge Companion to Schumann 
edited by Beate Perrey.
Cambridge, 302 pp., £19.99, June 2007, 978 0 521 78950 9
Show More
Schumann’s Late Style 
by Laura Tunbridge.
Cambridge, 246 pp., £50, October 2007, 978 0 521 87168 6
Show More
Show More
... cloud at the end of Schumann’s life has been seen as overshadowing everything on the way, but John Worthen’s biography refuses idle teleology. An emeritus professor of English at the University of Nottingham, Worthen has written about D.H. Lawrence and the Wordsworth circle and makes no claim to musical expertise; but he has been seized by the Schumann ...

Impossible Wishes

Michael Wood: Thomas Mann, 6 February 2003

The Cambridge Companion to Thomas Mann 
edited by Ritchie Robertson.
Cambridge, 257 pp., £45.50, November 2001, 9780521653107
Show More
Thomas Mann: A Biography 
by Hermann Kurzke, translated by Leslie Willson.
Allen Lane, 582 pp., £30, January 2002, 0 7139 9500 9
Show More
Show More
... irony . . . and from the practically Dickensian humour governing the characterisation in the major novels.’ In the same volume there is a fierce essay by Timothy Buck on the insufficiencies of Helen Lowe-Porter’s translations of Mann’s writing, and even of the recent versions of Buddenbrooks and The Magic Mountain by ...

Barbecue of the Vanities

Steven Shapin: Big Food, 22 August 2002

Eating Right in the Renaissance 
by Ken Albala.
California, 315 pp., £27.95, February 2002, 0 520 22947 9
Show More
Food Politics: How the Food Industry Influences Nutrition and Health 
by Marion Nestle.
California, 457 pp., £19.95, February 2002, 0 520 22465 5
Show More
Show More
... woman of ‘tempered complexion’. This last food was advertised as a favourite of the elderly John Caius of Cambridge, who offered vivid proof that you are who you eat: Caius was made ‘so peevish and so full of frets when he suckt one woman froward of condition and of bad diet; and contrariwise so quiet and well, when he suckt another of contrary ...

The Tax-and-Spend Vote

Ross McKibbin: Will the election improve New Labour’s grasp on reality?, 5 July 2001

... is almost certainly the right one: a large proportion of the electorate concluded that the major parties had nothing to offer them and stayed away. That might be hard on the Liberal Democrats, but it’s true enough of the other two parties. It is the adoption by the Labour Party of a neo-Thatcherite programme, modified too late for many (and thus the ...

‘It was everything’

Eliot Weinberger: The Republican Convention, 11 August 2016

... one of the most love-filled conventions in the history of conventions’. Amazingly, most of the major figures in the Republican Party stayed away: all of the previous presidential and vice-presidential nominees (even Sarah Palin), with the exception of the nonagenarian Bob Dole; the Bush family and anyone who held an important post in the administrations of ...

Life Pushed Aside

Clair Wills: The Last Asylums, 18 November 2021

... ushered into a large hall containing about a hundred people … Many of the inhabitants underwent major brain operations, and consequently many were shaven-headed. Others were swathed in bandages and were disfigured by post-operative bruises and black eyes.The patients were dressed in hospital-issue clothing and had no personal possessions. I wondered where ...

Underparts

Nicholas Spice, 6 November 1986

Roger’s Version 
by John Updike.
Deutsch, 316 pp., £9.95, October 1986, 0 233 97988 3
Show More
The Voyeur 
by Alberto Moravia, translated by Tim Parks.
Secker, 186 pp., £9.95, October 1986, 0 436 28721 8
Show More
Dvorak in Love 
by Josef Skvorecky, translated by Paul Wilson.
Chatto, 322 pp., £10.95, September 1986, 0 7011 2994 8
Show More
Moments of Reprieve 
by Primo Levi, translated by Ruth Feldman.
Joseph, 172 pp., £9.95, October 1986, 0 7181 2726 9
Show More
Show More
... Readers of John Updike’s previous novel, The Witches of Eastwick, will not have forgotten Darryl Van Horne’s bottom: how, at the end of a game of tennis, Darryl dropped his shorts and thrust his hairy rump into his partner’s face, demanding that she kiss it, which she did. In Roger’s Version the roles are reversed ...

Things that are worth naming

Linda Colley, 21 November 1991

A Passion for Government: The Life of Sarah, Duchess of Marlborough 
by Frances Harris.
Oxford, 421 pp., £25, September 1991, 0 19 820224 5
Show More
Show More
... Among the illustrations in this book is a painting by John Closterman of the Marlborough family which hangs today in Blenheim Palace. On its right-hand side, as convention dictates, sits the head of the family, John Churchill, at the time of the painting, first Earl of Marlborough ...

Every one values Mr Pope

James Winn, 16 December 1993

Alexander Pope: A Critical Edition 
edited by Pat Rogers.
Oxford, 706 pp., £11.95, July 1993, 0 19 281346 3
Show More
Essays on Pope 
by Pat Rogers.
Cambridge, 273 pp., £30, September 1993, 0 521 41869 0
Show More
Show More
... nurtured; some of these friends, notably the Earl of Oxford and the Queen’s physician, Dr John Arbuthnot, helped protect him from his detractors. After Pope’s death, he found friends among writers who could not have known him. Samuel Johnson’s Life (1781), though often dismissive of poems we now value, strongly countered Warton’s general ...

Rain, Blow, Rustle

Nick Richardson: John Cage, 19 August 2010

No Such Thing As Silence: John Cage’s 4'33" 
by Kyle Gann.
Yale, 255 pp., £16.99, April 2010, 978 0 300 13699 9
Show More
Show More
... barn-like structure, set – in 1952 at least – in several acres of woodland. Water Music by John Cage, a Californian composer whose recent work had been feted in New York, opened the programme and baffled its audience. It involved Tudor performing various actions at seemingly random intervals: blowing a duck-call, tuning a radio, shuffling and dealing ...

‘Where’s yer Wullie Shakespeare noo?’

Michael Dobson: 17th-century literary culture, 11 September 2008

Archipelagic English: Literature, History, and Politics 1603-1707 
by John Kerrigan.
Oxford, 599 pp., March 2008, 978 0 19 818384 6
Show More
Show More
... taken. Then the Troubles flared up again; and the IRA bombing campaign came to the mainland; and John McGrath wrote The Cheviot, the Stag and the Black, Black Oil; and suddenly it was 1974, and there were two close-run general elections, and not only did the Ulster Unionists matter even in England, but so did a couple of hitherto obscure and eccentric ...

Some Beneficial Influence

Gazelle Mba: African Students in Britain, 17 April 2025

African and Caribbean People in Britain: A History 
by Hakim Adi.
Penguin, 688 pp., £18.99, September 2023, 978 1 80206 068 3
Show More
Show More
... William Ansah Sessarakoo’s​ father, John Corrantee of Annamaboe, on the Gold Coast, was a member of the Fante ruling family and a prominent merchant, well known in the interior and among European slave traders. In order to strengthen ties with his European business partners, and to give his heirs an advantage over their countrymen, Corrantee sent one of his sons to be educated in France and another – Sessarakoo – in England ...

After the Movies

Michael Wood: Godard’s Histoire(s) du cinéma, 4 December 2008

Histoire(s) du cinéma 
directed by Jean-Luc Godard.
Show More
Show More
... and Ravensbrück; plenty of Goya, Seurat, Manet; Kim Novak almost drowning in Vertigo, the old major dying in The Magnificent Ambersons; Ivan the Terrible and Stalin; Hitler in one frame immediately followed by James Stewart in another, focusing his camera in Rear Window; an extraordinary bit of cross-cutting between a dance scene in An American in Paris ...

At the Barnes

Bridget Alsdorf: On Marie Laurencin, 25 January 2024

... writes, ‘dances like Salomé’ between Picasso and Rousseau, with Picasso as art’s ‘new John the Baptist’ and Rousseau a ‘sentimental Herod’.The Barnes show attempts to free Laurencin from such patronising comparisons. It is the fourth in the foundation’s series of exhibitions on female French modernists, which began with Berthe Morisot in ...