“... in an 18th-century house, brought up, truth to tell, in the 18th century.’ He went to Eton and read English at Cambridge, where he met Nick Tomalin, Hugh Thomas, Mark Boxer and Neal Ascherson. Among the enduring friendships of his student years was that of the founding editor of the LRB, Karl Miller. McEwen and his wife, Romana, later went on a road trip ...”

“... be discovered. My first encounter was a series of debates at the back of the football bus in which Peter Ustinov took on Ribbentrop’s son on the justice of the Treaty of Brest-Litovsk. A few months later, these ideas, and other ideas – Surrealism, colloquial poetry, and the new architecture – were everywhere. There was a new dawn, but a dawn forced on by ...”

“... Women in the camps were given a temporary reprieve from the gas chamber on condition that they read to her. Was her inability to read being offered as a partial excuse for her crimes? Was Schlink playing on the emotions of his readers in order to blur distinctions where, for the sake of history and justice, there should ...”

“... sitting back and thinking about Porter’s Boeotia’,† an essay which takes off from Peter Porter’s poem ‘On first looking into Chapman’s Hesiod’, and which seems to have followed on from their interchange at the 1975 Poetry Australia ‘Write-In’. Athens and Boeotia are seen as ‘two models of civilisation between which Western man ...”

“... Tynan’s flamboyant, showstruck, star-fucking excitement, he too was an invigorating critic to read ... Why Tynan was influential within the theatre is hard to explain.’ (Jonathan Miller, who likes explaining, is particularly interesting when he finds something ‘hard to explain’. Tynan, too, liked explaining.) ‘There was a certain gullible, vulgar ...”

“... met, Jack Edge,’ Binding drifts dangerously close to the mythical bucolic never-never land of Peter Ackroyd’s English Music. He shares with Ackroyd a love of music-hall, or its wilder sibling, the Punch and Judy show. On one level, that is what A Perfect Execution is. An exhibition in a tent or a glass box at the end of the pier. Pantomime horror, like ...”

“... down at full throttle’, these phrases not only seem to me to misdescribe the poems we have just read, they don’t seem to describe any Rilke poem we could imagine. Think of this delicate, simple, stately late poem, and ask yourself about the throttle (the English translation is Snow’s): Ach, im Wind gelöst, wieviel vergebliche Wiederkehr. Manches, was ...”

“... and learned to draw, and through another of the floating population at his parents’ home met Peter Watson. In Watson, the heir to the Maypole Dairy Company fortune, and founder with Cyril Connolly and Stephen Spender of Horizon, Craxton found a friend, an indulgent patron and a way into the avant-garde. He had a narrow brush with conscription, from which ...”

“... Listen to Jonathan Meades introduce and read this piece on the LRB PodcastAsneaked photograph​ from the earliest years of this century shows the teenage prodigy Wayne Rooney leading his parents out of the sea on a Mexican beach. They are about to move into an unknown world, where they will, all three, lurch from idolisation to easy prey, from objects of pity to mean-spirited envy – the adolescent has a gift, the elders have his blood ...”

“... naked faces to documentary scrutiny. ‘The film you have just seen was an improvisation,’ we read on the screen at the end of Shadows. But this is not true – or not of the film we have just seen. It was truer of the first version of Shadows, which had three midnight screenings in New York late in 1958 and caught the eye of Jonas Mekas, a central figure ...”

“... incongruities – but the tsar had good reason to be sceptical of the institution. His grandfather Peter III ruled Russia for only six months before his wife, Catherine the Great, overthrew him in a palace coup in 1762 and shipped him off to prison, where he was quietly murdered. Nominally, Catherine ruled as regent for her son Paul, but once he reached ...”

“... the extraordinary band of young artists, architects and critics (including Richard Hamilton, Peter and Alison Smithson, and Lawrence Alloway, among others) who developed, from within the Modernist Institute of Contemporary Art, a Pop sensibility of their own. His revised dissertation, Theory and Design in the First Machine Age, made his scholarly ...”

“... drowned. The Fabian world of the turn of the century is by now well-trafficked, and anyone who has read the literature of the period will await the inevitable arrival of Wells and Shaw, the Cambridge Neo-Pagans, Rupert Brooke and Frances Cornford, the Cambridge Apostles and so on. (Byatt’s novels always seem destined to visit Cambridge University.) But the ...”

“... still didn’t meet the needs of many sick and disabled people. In the late 1960s, the sociologist Peter Townsend showed that disability and chronic illness were two of the factors most likely to lead to poverty in the UK. The Nelson family, interviewed by Townsend’s team in 1968, was typical. Mr Nelson, 35, had worked as a driver, with a salary well above ...”

“... triumphs are those of 1945, 1964 and 1997; neither has found any inspiration in 1924 or 1929. Peter Clark and David Torrance both set out to reassert the political importance of the 1924 government and to restore the place of its senior figures in the history of the Labour Party. Both focus on high politics, and in particular the way the members of the ...”