At Tate Britain
Anne Wagner: Conceptual Art in Britain, 1964-79, 14 July 2016
“... the changing relationship of mother and child. Meanwhile the constant for Hiller is a typology she may well have been the first to reveal: who would have guessed that there was a time when all over Britain, photographers were poised to capture the explosive breaking of a wave? The actions behind the work of Kelly and Hiller seem private, even domestic. Yet ... ”