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“... At first glance​ the title of Sarah Schulman’s remarkable history of the Aids pressure group ACT UP in New York has a cool authority at odds with the turbulent energy of the group itself, although justified by the meticulousness of her scholarship. Let the Record Show was also the title of a 1987 agitprop artwork devised by a collective that later called itself Gran Fury, and Schulman’s book is unusual for a self-described political history in treating ACT UP’s cultural production as indivisible from its other activities ...”

“... Deception, 1992). In Self’s Punishment (1987) Self discovers that the person whose death he is now investigating on behalf of the chemical firm was about to blow the whistle on the firm’s use of the forced labour of Jewish scientists during the war. Without being aware of it, he has been investigating his own past. In this case his judgment ...”

“... is richer in eccentricity and event than that of Harrison? Where Lowell can boast a Great Aunt Sarah thundering ‘on the keyboard of her dummy piano’ and ‘risen like the phoenix / from her bed of trouble-some snacks and Tauchnitz classics’, Harrison’s relations are more familiar figures, bickering on Blackpool’s Golden Mile or locked into their ...”

“... sculpted from snow, each of them dedicated to women with a particular name (‘Caroline’, ‘Sarah’, ‘Fanny’) who had lived in the town. These fleeting works are represented at the exhibition in the form of photographs, posters or preparatory sketches. In contrast to the macho monuments of the late 1970s and 1980s (Donald Judd et al), Mayer’s ...”

“... from a mother sending her son into battle: ‘Come home with your shield, or on it.’ As Sarah Pomeroy has noted, Spartan women always had a weapon to hand since, when they wore clothes, they favoured an old-fashioned heavy peplos which needed to be fastened at the shoulders with sharp fibulae. Over time, different features of ‘Spartan ...”

“... visit. He reports this to his superior, sealing the prisoner’s fate. Monangambeee (1969) was Sarah Maldoror’s first film, based on a short story by the Angolan novelist José Luandino Vieira. It turns on a misunderstanding about what has been said. The security guard takes the words ‘full suit’ – fato completo in Vieira’s Portuguese – to ...”

“... strange for so rarely seeing the light of day. In such little explored shadowy corners we find Sarah Wedgwood, the last surviving daughter of Josiah and Sally, living alone. Sarah was tall, thin, solemn and sad, but above all remarkably fastidious. She was so fastidious that she kept special pairs of gloves for ...”

“... marry seemed impossible to everyone apart from the brothers themselves and the local sisters, Sarah and Adelaide Yates, who accepted their proposals – much to the horror of their parents. The two couples were married in April 1843 and returned home, where an extra-wide bed awaited them. The newspapers were filled with speculation about and condemnation ...”

“... her $1000. Her story was her only asset, and it had supported her, however modestly, for years. Sarah Weddington, the lawyer who argued Roe at the Supreme Court and then parlayed her fame into a political career, had stopped granting interviews (possibly because of illness: she died in 2021). So Prager turned to Linda Coffee, who hardly appears in other ...”

“... manic activities, a voluntary period in hospital, a half-hearted attempt at suicide, and then the death by accident or design when on an evening walk he was ‘sideswiped’ and killed by a car. To put it simply, the criticism and the fiction Pictures from an Institution seem to have been written by a different person from the one who wrote the poems. The ...”

“... home and husband is thrust on her. The protagonists of The Tinker’s Wedding are more proactive. Sarah has resolved to raise her social status a notch or two by marrying Michael, properly, in church. The farce of the play consists of the couple’s frustrating attempts to negotiate financial terms with a passing priest and then to keep to them; at the ...”

“... was covered by her nightgown. It was never known whether she used it to cover her eyes against the death she had chosen or whether the swirling water had veiled her in this way.     The only feeling Magritte remembers – or imagines he remembers – with regard to this event is great pride at the thought of being the pitiful centre of a ...”

“... Numbers’ Ada, Countess of Lovelace, and many others. And his clubbability did not end with his death. Throughout the 20th century his image, his name and his character – modest, dedicated, optimistic – were recruited in the service of British and American big science, as the inventor of the transformer, the dynamo and the electric motor, those icons of ...”

“... DeCarava’s grey palette.In a career that spanned sixty years, from 1948 until shortly before his death in 2009, DeCarava took plenty of pictures of the already famous: jazz musicians like Billie Holiday and Ella Fitzgerald, Jimmy Scott’s hands. Sarah Vaughan turns and flashes a smile at the camera; Ornette Coleman looks ...”

“... Vertigo – James Stewart climbing onto the roof from which his colleague is about to fall to his death. De Palma’s voice says: ‘I saw Vertigo in 1958. I saw it at Radio City Music Hall. I will never forget it.’ As he speaks the last sentence his image appears on screen. He is sitting in front of a fireplace, as he will be for the rest of the movie, but ...”