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“... discredit Coleman’s evidence by drawing attention to his past unreliability. But the judge, Ed Self, a George W. Bush appointee, would hear none of it. The revelations of Coleman’s unfitness for the job, his debts, his violent temper, his racism, weren’t permitted as evidence. One by one, the defendants fell. Donnie Smith was sentenced to 12 years in ...”

“... New York’s Guggenheim Museum contains in an annex a covert Robert Mapplethorpe gallery, a sober exhibition space which, like the masterpieces of its namesake, seems consecrated to the unusual and the mortifying. The current show – Joel-Peter Witkin’s photographs of corpses, amputees and hermaphrodites – holds a grotesqueness sufficient to remind the visitor of how sweet, how antique already, the infamous Mapplethorpe images have become ...”

“... and Reznikoff, and of course the whole group of poets associated with Black Mountain College – Robert Creeley, Denise Levertov, Ed Dorn, Robert Duncan and Charles Olson. Of all these it was Charles Olson who engaged most directly and continuously with the implications of Pound’s poetics. The Maximus Poems can he read ...”

“... conscription of long-dead people into our own causes; and, worst of all, our pharisaical self-satisfaction at always being historically on the right side. Thus we adopt towards past people, our poor relations, an attitude of pity tinged with contempt, reserving praise for those ‘ahead of their time’ who, we think, were striving to be more like ...”

“... it’s inextricably linked with Oskar’s human failings. His goodness seems inseparable from his self-indulgence, his appetites for cognac and women, his skill at black-marketeering, his talent for not merely cultivating but actually enjoying the company of the murderous Plaszow camp commandant – ‘drinking with the devil’: ‘He’s always been a man ...”

“... more characteristic trait of Mann’s writing, the reason Nabokov dismissed him as a pretentiously self-monumentalising nonentity. One scarcely thinks of playfulness in connection with Buddenbrooks or The Magic Mountain, and Joseph and His Brothers, whatever comic interludes it may include, tends to sink under the weight of its narrative detail and its ...”

“... Marthe Robert is a well-known freelance among French Germanisten. She has written extensively on Freudian theory, on myth and Romanticism, and she collaborated with André Breton on a splendid volume of Lichtenberg’s aphorisms. She is deeply familiar with Kafka’s writings, having translated most of them into French: her knowledge of books on Kafka and the world he lived in is less impressive ...”

“... dir.’ As in most elegies, not least those in which men elegise their lovers, there is something self-regarding here. We learn considerably less about the dead woman than we learn about Douglas Dunn’s dead wife in his 1985 Elegies. Some readers may find it odd that the poem ends with the dead woman comforting the grieving husband; except that the German ...”

“... a narrator with Less than Zero, along with several other characters, a distinctive and highly self-conscious prose style, a time of year, and a milieu of urban self-abuse and disaffection. But there is nothing straightforward about the relationship between the books. I’m glad to have the connection made for ...”

“... your pocket, keep it open. Diminish the haft affix loosely proponent span blood group indexical self-cut. Try doing it now. That final phrase is overtly sarcastic, but not without ambiguity: the urgency of the attempt and its utter impossibility and self-deception are precisely suspended. The stanza as a whole segues even ...”

“... a tense, difficult relationship between two human beings who are aware of shifting senses of the self and capable of both love and hate – very like, in fact, what we hear of affairs and their sudden revulsions of feeling in Doris Lessing’s more realistic novels. Well, if it doesn’t fit, so much the worse for the fable. What would have been proved by a ...”

“... Pratt’s own story to recede and the novel to turn in on itself: so much is it concerned with the self-contained world of images in themselves that all reality runs out of it – the case of a novel taken over by its subject. The Mosquito Coast has the pattern of a marvellous journey round a country and a character: but it’s not a myth, a fable or a ...”

“... the fourth fragment, I’m tempted to answer that the voice is that of Walt Whitman, the great self-styled ‘bard’ who classed Ossian with the Bible, and who thought that Red Jacket, one of the great Iroquois orators, was ‘like one of Ossian’s ghosts’. Whitman grew his long lines out of Macpherson’s cadenced prose. A multitude of European and ...”

“... If Robert Lowell had not been a Lowell would he ever have had the confidence to write the poems he did? It is impossible to imagine the scion of a distinguished English family using that family now as a basis for poetic composition. But all Lowell’s poems are about being a Lowell, or rather, more specifically, about being this Lowell ...”

“... I think that I only think that I can think,’ and worries about struggles in his most private self that no one else will understand. This may seem at odds with the man who writes of his hunger for any sort of publicity, but throughout MacDiarmid’s career private anxieties and public pugnacity appear to have fuelled one another. The talented but ...”